Quote:
Originally Posted by
dinococcus
โก๏ธ
Atom .. Psi audio.
The state of the art is analog. Dsp is a cheap way to build a crossover. It's a great way to improve the financial margin by selling a supposedly great improvement costing nothing.
The labor time is not in a dsp, it's in the measurements time.
This past time is the same for all speakers with the same design.
All dsp in a kii have the same software. It costs peanuts.
The buyer buy the eyes near the logo brand. What is in the speaker, he does not care.
i pretty much don't care about the manufacturers costs, win margin etc. as long as they offer a viable product for a reasonable price.
the thing is that any speaker, regardless of design, can only ever perform as good as the room allows it to perform - but dsp allows for optimum adjustment/correction.
- want to add a sub (or two) and change the x-overs of the tops or get some tilt between sub(s) and tops? dsp does it!
- want to change distance between speakers and want to adapt hpf for optimum coupling of lf woofers? dsp does it!
- want to change fr response either to please folks in the back of the room, to get a fr of choice or to compensate when listening a lower levels? dsp does it!
- i could go on...
imo it's plain silly NOT to use dsp in 2019 - actually for many years now...
p.s. besides tad/augspurger, tannoy, genelec, k+h/neumann, quested, fostex etc. i do have a pair of psi in one of my rooms - and use a speaker processors to adjust their performance as of all my other speaker systems!
p.p.s. dsp allows for different speakers to measure almost the same - nevertheless, it's still nice to use more than one system (preferably of vastly different design: horn/versus directly radiating tweeter, broadband vs 2-way, 2-way plus sub versus 3-way full range, small versus large lf diameter etc.) as they will behave/react (and translate, depending on what listening environment you're aiming at) quite differently...