I can definitely see why people like number two better - even though my bias runs the other way. Number two has a nice romantic softness to it - and you're not so distracted by being aware of the mechanical noises of the piano like in number one. Perhaps it's just a better match for 'sensitivity humps' of that particular microphone with the piano. I think that a lot of the 'blurrier' mics out there are preferred because, even though they are not as 'articulate' - they create a sort of 'assonance' where none existed before... by emphasizing some frequencies and not others... well... I guess that's all rather obvious... but I had to think through it in writing...
I really do like #2 better because of the balance... I don't know the tube-mics from Neumann... so I can't tell which is which... please send me an pm. thanks!
Hello, Didier! The first mic is more suitable for a piano, it is more detailed with a quick response, the second does not have time to process the details making them blurry (because of this perceived as more artistic), also cuts off the high frequencies. If the topic is still working, I would be glad to know who is who. Thank you!
i am wondering because:
- on notebook speakers 2 sounded nicer and wider (dsp working there for sure)
- on a good headphones 1 sounded clearer and less low mid boomy
On second thoughts, if the playing was more consistent then A would be a better sound with more depth and texture. B covers up the dynamic discrepancies.
Hey there! Key plz? Thanks for shooting out, both this and all the others I've listened to over the years it really helps!
I think 2 is the valvet, it's more open on top, #1 sounds more internally compressed, top rolled off, maybe more weight.
Hope i'm wrong tho! I like #2 and sold my valvet x. Shock mount drove me crazy and I want polar patterns.
Any chance you could reply by email instead of pm? [email protected] thanks again!