Disclaimer: I own the software, but not the dedicated controller. I heard the hardware is really cool. There’s something to be said about beating on something, but I am not able or qualified to comment on that at this time.

INTRO
Spark by Arturia is an epic virtual drum production workstation featuring smooth sequencing capabilities, powerful synthesis engines, and a really big sound library that contains a multiple genre variety of kits including solid emulations of all the great vintage drum machines and modules. This software is truly a power house. It can do so much, and does it so well. I’m not usually a fan of hybrid workstations and DAWs and other packages that do “everything.” In general, I prefer separate components, but in this case, I’m happy to make an exception and embrace the convenience of having it all under one eight-page hood (Main, Sequencer, Song, Studio, Modular, Mixer, Library and Prefs). Spark delivers power, control, performance, and flexibility. Creating custom kits is no problem and user samples can be loaded in the Studio Page. Users can choose between samples, synthesis (physical modeling, TAE Analog emulation), or file import. Tools are available to create new sounds via the Modular Page. There are many performance features, including an X/Y pad for in vivo editing and triggering various assigned parameters.

It’s a snap to sequence patterns and construct them into a song is a snap via the Song Page. There are two sequencer modes — step sequencer (with Roland-esq running lights) or live recording. Tracks are selected with a dial. There are 16 tracks with 64 steps. Like any well-thought out, well-designed audio software, Spark has many little features that are revealed along the way as you dive in, e.g., If you dig the first half of a pattern you create and want to repeat it for the second half, you simply increase the number in the sequencer toolbar and voila! MIDI drag and drop along with perfect clock sync create a perfect union between Spark and DAW.

PROS
• Sharp-looking, futuristic, well-organized interface.
• Deep sound and programming with a moderately shallow learning curve (for anyone who has a little drum machine experience).
• Convenient and intuitive preset management (loaded via library window).
• Fast bank changing.
• Considerable tweakability, especially for sound designers who venture into the Modular page.
• Responsive virtual pads, sliders, knobs, dials, and X/Y pad.
• Easy automation programming.
• Live FX pad and effects buttons to change the sounds in real time.
• Ability to mix and match instruments to build own kits via Studio Page.
• Powerful integration of sample, physical modeling, synthesis, and imported audio files.
• Solid mixer.
• Reliable and stable. It has never crashed or froze on me.
• Useful manual is written clearly and thick, but probably not needed.
• Nicely priced.
• Firmware updates add new kits.
• Helpful forum community support.
• Authentic, enthusiastic developer team with a proven track record of providing top quality software (and hardware).

CONS
• Preset patterns could be better.
• 16 sounds per kit may not be enough for some projects.
• Limited editing of imported audio files.
• Requires a strong CPU to maintain zero lag.
• I’ve never been a fan of blips, beeps, bass, and synth sounds in a drum machine, but some users may find a use for them.

SUMMARY
Spark is a monumental beat-making monster. It has a timeless analog flavor with all the convenience, flexibility, and possibilities that digital has to offer. For musicians and alike who want to work quickly — it can be fast and easily satisfying. For sound designers who want to get under that hood and tinker — it can be exciting and rewarding. To quote another, “If you are looking for an awesome drum machine plug-in, and not a more generic sampling tool, then the Spark is for you!” If you dig a variety of electronic drums, Spark undoubtedly offers something for you; yet, if you’re exclusively looking for a “real” live, acoustic drum vibe, I would suggest looking at the other options out there. The same is true if you are exclusively into synthesis or sampling. However, if you want a monster hybrid that can shake your walls — look no further! It looks and behaves enough like the old vintage gear to make you nostalgic, and has all the ultra modern enhancements to keep you excited. I highly recommend this beast to any eMusician, producer, film and game scorer, DJ, sound designer, etc., who is looking for an amazing array of drum machine features and sounds. I tip my hat (if I had a hat) to Arturia for developing such a fine piece of audio software.

Note: I highly recommend buying this as part of the V-Collection and never looking back!