Quote:
Originally Posted by
Blast9
β‘οΈ
The only area the FG-X beats it is the nice large meter and RMS display. In any case, I just use Voxengo Span for metering, so no biggie.
Since, for me (at least) this limiter is a combination of 5 discreet GR stages, I'm using .025 to 2db GR each, scaling all of the meters to 4 decibels is a stroke of absolute genius. You can easily see the minute contribution of each stage, mainly reacting to the tiniest of transient information. It becomes very intuitive and makes the entire plugin comprehensive.
For starters on this one, I would first check to make sure the path isn't limit>comp. That will send your head spinning, I've made that mistake before
Then turn off all sections, except the final protection, (if you're using it.)
Start in order, with comp at very low. This is just conditioning, I don't like it to move too much. The control scheme is a little odd at first. Use gain to increase compression.
Also use comp to fine tune the contribution to the limiter section's reaction - in tandem with the limiter's own threshold control. It's all feel. At this point you have a few things to juggle, and you do need to understand the time constants depending on the type of limiting you choose.
Peak limit is actually pretty easy, (we can't move it before the limiter tho?) Have to be careful, you may not need it, it is more of a troubleshooter imo. Can be very useful on drum groups, definitely unruly hard gate synth appregios.
Then clipper is the fun part. Play with clipper vs limiter contributions, pay attention to the clipper modes.
Peak protection is mainly set and forget.
This limiter really makes you think on various planes of dynamic, frequency, and timing at once, really fun and effective.