Quote:
Originally Posted by
swartzfeger
β‘οΈ
Thanks for the review, Rohann!
Probably because there are fewer weirdos like us that dig (let alone know of) BC than PT.
I guess that disappoints me a little but it's not surprising. My own stuff sort of spans from BC-esque stuff to heavier, riff-based prog like Porcupine Tree. I have a much easier time (and more fun) designing my own ambient drones and whatnot vs more of the eerie sound design elements that you'd find on stuff like Deadwing, so Ghostwriter will still be a definite 'must try' for me.

No problem

. Haha probably true!
That's actually more or less what I've been starting off my writing with (fairly new to this) - I downloaded the demo for Ghostwriter when it first came out and attempted a kind of haunting atmospheric direction and it was a lot of fun. I do play heavier guitar too so I'll see how the two end up combining in the end. Glad to know there are more people out there who appreciate this sort of thing!
Definitely still worth a try, and I think I'll end up buying it when I have my ducks in a row. I entered the demo contest SW set up when releasing the instrument (turned into a "how many fbook friends can you get to "like" this each day" contest...but I digress) and out of all the ones I heard, I was the only one who messed around with the sounds a good deal.
My only thing was that as much as I love SW's sound design (it's perfect IMO), I don't want it to be instantly recognizable as a Porcupine Tree sound
specifically, just for the sake of originality. The PLAY editor is great though, and I made a lot of the sounds in the library completely unrecognizable without removing that eerie "SW sound design" feel. If you use it properly it can be quite useful, and for someone that likes both Bass Communion and Porcupine Tree, I'm sure it will work great, especially if you get creative with the sounds.