Quote:
Originally Posted by
sin night
➡️
That article will show you the basic schematics and will help you to chose the right one depending on the specs of the reverb tank you choose.
having a look at that article now.
i was assuming something like the OP diagram, where you have one amplifier stage at input, and another on the output.
thing is, i don't really understand impedance. there, i've said it. i mean, vaguely, yes, general idea: i'm familiar with Line, Mic, Guitar, Phono, balanced/unbalanced, but that's about as far as it goes; i don't use any DI box, i do have a couple of mic pre-amps that i never use (because i'm not using mics), and do have a mixer with aux send.
and i now have a new reverb tank from aliexpress, with RCA input and output, and inductors at either end of the spring.
so i measure the resistance across the inductor to obtain its impedance? impedance:
https://en.wikipedia.org/wiki/Electrical_impedance
"In electrical engineering, impedance is the opposition to alternating current presented by the combined effect of resistance and reactance in a circuit.[1]"
reactance being: "the opposition presented to alternating current by inductance and capacitance.[1]"
plenty of scope for going off on a tangent :-)
trying to keep this simple.
and do i need to know the impedance at both ends of the spring, or can i just wing it adjusting Gain at input and ouput?
in the graphic above there's a speaker at the input to the spring, and microphone on the receiving side. makes sense: could put a speaker and microphone in a bathroom in a send/return loop. so the speaker needs to be 'driven', and the microphone signal needs a pre-amp.
from what i read, i should be able to go straight out of a mix aux send into the reverb tank, and bring it back in to a mono channel using the input gain?
how am i doing with impedances there?
can you damage a device by using mismatched impedances? say if you tried to audition a line output plugging in headphones? (asking because i might have damaged something once doing this, not sure.. but this is making me slightly tentative before proceeding.)
say if i get a headphone amplifier for the input, and use a mic preamp like behringer mic100 to restore level? could i use another mic preamp on the input instead of the headphone amplifier? not the same thing though, is it? or is it just a matter of amount of gain at either stage?
ideally i'd quite like to build it as a selfcontained unit, with 2 channels. would a 4x channel headphone ampilifier be able to deal with 2 inputs? (how would they be separate?)
in a video i saw today, the guy uses a DI box on the output, into a decent pre-amp (lost the link atm). so he's blasting the signal into the spring at a decent level (Headphone hotter than Line?), then making the output signal balanced with the DI box before boosting it with the pre-amp.
how about getting a couple of cheap chinese stereo preamp circuits?