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Townsend Labs Sphere L22
4.85 4.85 out of 5, based on 3 Reviews

Townsend Labs Sphere L22 worth every penny!


12th January 2019

Townsend Labs Sphere L22 by royalmusik

  • Sound Quality 5.0 out of 5
  • Ease of use 4.0 out of 5
  • Features 5.0 out of 5
  • Bang for buck 5.0 out of 5
  • Overall: 4.75
Townsend Labs Sphere L22

First off, this mic is a beast in its own right. Without the emulations, this mic is smooth and silky, like a u87 top end, but mostly new age u47 in the mids. Worth nearly double the price for its pristine sound. What made me fall in love with it is that I wanted a U47 and a C800g, but I had U87 money. I went on the hunt of my life searching for mics that emulated, Warm Audio, Beesneez, Slate VMS, and many, many more. I came across 3 mics that promised all those emulations and more, Antelope Edge, Slate VMS, and Townsend Labs Sphere L22. I was already deeply invested in UAD. I love the unison pres so much that I dumped my 1073 and manley voxbox (plus I needed to be more mobile) in favor of the unison version. People say it's only 90% there. Truth is it's 100% there, but only has the exact flavor of the actual model it emulated and no 2 pres sound exactly the same. I digress...Let's get back to the mics!

Antelope mic sounded good, really good, but was lacking a few
models that I'd hoped for like the c800g & 414 (both of which are now available). It also lacked body on all the warmer emulations and I wasn't about to change platforms. I wasn't a fan of Antelope and didn't feel that their edge lineup would last for decades to come. Plus, without the emulations, this mic sounds cheap. Next, the Slate VMS had a great body and matched most emulations very close, except for the top end, which was brittle, especially on the C800g and U87. Plus, I didn't like using their preamp and the mic just doesn't sound the same without it. Enter the Townsend labs Sphere L22. I was skeptical for 3 reasons, it was at least $500 more than its rivals and I didn't think it would sound $500 better, it wasn't actually made by Universal audio (although I knew of Erik Papp's accomplishments well), and they recommended taking the preamps out of Unison and placing them after the Sphere plugin. It took me auditioning this mic everyday for 2 weeks to truly make me a believer. I thought my ears were fatigued or I needed to change monitors. This mic matches 99% of its emulations dead on. Top end, bottom end, mid body, polar patterns, on axis, off axis, impedance, saturation, all of it! I don't now how they did it or what kind of alien technology that Chris & Erik have gotten their hands on, but this is quietly the best microphone on the market and when the veterans either stop their skepticism or die, this mic will become the industry standard right next to the apollo's legendary status. I've had 3 engineers who have used these mics for over 15 years day in and day out, listen to dry vocals and mixes of the actual and the emulations and 23 out of 25 times, they picked the L22 over the original. I've had it for almost 2 years now and I've not pulled another mic from my mic locker in that time. My mobile rig consists of this mic, my apollo twin quad, k240s, ATM50x

  • 7
9th October 2022

Townsend Labs Sphere L22 by Leveuho

  • Sound Quality 5.0 out of 5
  • Ease of use 4.0 out of 5
  • Features 5.0 out of 5
  • Bang for buck 5.0 out of 5
  • Overall: 4.75
Townsend Labs Sphere L22

I've bought it recently on a nice discount that's literally everywhere and upgraded from Shure KSM42 SG. Connected it to a double Camden EC1 and...

First I thought it's just extremely boring and flat, completely uninteresting and transparent to an extent where it becomes weird. Then I reminded myself that it's exactly the way it's supposed to be and started tossing around its software emulations. I can't tell you they match the originals exactly and they give you 100% of the charm and quality of some vintage classics, but they're pretty close in field of frequency response. I think I can't say that about harmonic content or dynamic behaviour, but still - pretty impressive and very, very versatile.

As I was around 75% happy with the performance I was getting, I decided to go further - I bought AlexB preamp emulations for Nebula 4 and H. Olonga Microphone Collection, also for Nebula 4. And that, my fellow Gearspacers, made my Camden + L22 set absolutely sing.

I couldn't recommend this mic more in exactly this set: Camden EC1, AlexB preamp collection, H. Olonga mic collection. I believe this way you get extremely, really extremely close to real vintage sound, closer than with UAD preamps and Sphere emulation app.

Now I can call myself 100% happy that I decided to have got Sphere L22. Just remember to feed it to a really good preamp, too.

5th January 2023

Townsend Labs Sphere L22 by YRLK

  • Sound Quality 5.0 out of 5
  • Ease of use 5.0 out of 5
  • Features 5.0 out of 5
  • Bang for buck 5.0 out of 5
  • Overall: 5
Townsend Labs Sphere L22

I’m keeping this review straightforward.

The Sphere mic + software rocks.

I use Apollo X, and as an added bonus, I have two BAE Neve channels and two TG2 channels to match the mic well.

The stock emulations provided by Townsend (native and UAD) sound fantastic, and there’s a ton of variety.

The additional Ocean Way and Bill Putnum models are also nice. Maybe not absolutely needed, but hey… I have no regrets.

The differences between some of the mics can be subtle when compared on totally dry vocals. But when selecting an emulation for tracking vocals or instruments on a song, the differences become pretty obvious.

Kinda hard to get a bad sound out of this system, honestly.

It’s highly impressive. Versatile, fast, expensive-tube-free, reliable, quiet, portable, and just sounds damn good.

I bought the Sphere to cover the 251 bases. It does this beautifully and with variety.

Want a 251 that’s a little more mid focused and mellow? Or how about a 251 that’s a little more brassy and open on the top? Do you want a vintage U67, a modern equivalent, or a more open M269?

How about something really bright with fast transients like the C800G?

It’s all there.

For around 1200-1500 bucks (depending on where you buy it from, if it’s used, what software you packages you add), it really feels like a steal.

All I’m saying is that, if I had to buy just one LDC for vocals, this would be it. Because it simply works, and no one can tell me that I’m missing out on a real 251 simply because a paid 1/10th of the price, have a quieter noise floor, and don’t have to worry about tubes burning out.

Chris Townsend: you’re a brilliant artist who has added joy to my life with this mic. It does what I want it to do, and it does not disappoint. Thank you, sir, and if anyone’s in the market for a good mic in this price range, especially if you’ve got an Apollo X and/or matching mic pres, well… enough said.

Cheers everyone, and may the Sphere’s reach continue to expand.