Quote:
Originally Posted by
ddy
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i appreciate the effort you put into commenting but the reason i say your propsal doesn't work is that i've designed, installed and measured literally hundrets of speaker systems of various sizes, from ambitious home hifi to recording/mixing studios, broadcast facilities, live sound rigs for indoor and outdoor shows etc. and not once i could experience or even measure a significant separation between left and right front speakers, even less a complete separation...
...unless of course you put speakers very wide apart so they don't combine anymore but then the soundfield falls apart.
anyway, what dispersion angle do your speaker have? ime the concept cannot work with 'normal' speakers with a typical horizontal dispersion anywhere between 60-120 degrees.
Because clearly you've never installed a system that achieves cross-talk cancellation. Did you see the algorithm I stated? Have you ever installed a system that produces those signals at the left and right speakers with them spaced at the angle stated, in conjunction with a L+R center speaker? If not, then how can you say it's not possible?
As far as dispersion angle, I've used only 'normal' speakers with typical dispersion patterns; the cross-talk cancellation is achieved by a combination of time delay and opposing-channel signal inversion, not controlled dispersion patterns.
Just because you've never heard cross-talk cancellation doesn't mean it doesn't exist.
https://phaidra.kug.ac.at/open/o:11444
I've installed three such systems in quite different rooms and they all produced nearly complete cancellation of crosstalk. The wide spacing is just sufficient to produce the required time delay for this null to occur; it's not just putting speakers
really far apart, in fact anything beyond 120 degrees apart doesn't result in the correct delay for the cancellation.
The three different versions of this I've done are:
1. Simple passive with wide range single-driver speakers (think Auratone, with much higher quality drivers).
2. Bi-amped 4" two-ways, with the tweeters passive-connected to one stereo amp, and the bass-mids to a second amp.
3. Multi-channel version (which can be used with passive-crossover speakers) utilizing a very simple analog matrix circuit consisting of basic inverters and summers, that produces the required separate signals for each amp channel. This can be used between a normal stereo preamplifier and a home theater type multichannel power amp.