Quote:
Originally Posted by
chrisrulesmore
β‘οΈ
Why wouldn't you just buy two Apollo Quads? Aren't they supposed to be linkable at some point, which would give you 8 preamps, 16 i/o, 4 headphones, and 8 core processing...for less money?
Not trying to be a jerk, just wondering what I'm missing? Or is it the cost of the plug-ins that is contributing to the high cost of the satellite quad?
Since I'm bored I'm going to give some more life to this thread....
Me personally, I don't need all of those mic-pre's... The I/O on 1 Apollo is more then enough for me. I produce/record/mix Hip Hop & R&B (mostly Hip Hop). My beats are made in the box with FXPansion GURU or Geist combined with Pro Tools and some virtual instruments. Some times I use Reason. And I record one person at a time using my Great River Mic-Pre and dbx 160 Comp so I'm not to worried about the 4 Mic pre's which I'm sure I can get a good sound from if I did need them. As Far as the the Satellite Quad Omni, If I get that, it comes with almost the hole UAD library (minus 3 plugins) and I save about $3,000 rather then if I were to buy all of the plugins individually which would be $6,000+ with no satellite to run them. 1 UAD satellite quad is $1,500. That's $7,500+ for just 1 quad and the plugins or 1 Quad Satellite with all the plugins for $5,000. 2 Apollo Quads with the thunderbolt cards would be $6,000 with just 3 UAD plugins and to much I/O for me. I would still have to buy all the plugins ($6,000+) For $8,000 I get a quality interface (Apollo), 2 quad satellites and pretty much the entire UAD plugin library (minus 3). To me that make makes much more sense. Can't speak for other peoples needs. I mix strictly in the box so with 2 quads running the complete library of UAD plugins with the option to record using plugins for a vintage console sound with almost zero latency using the Apollo... Not to mention the processing power I would have at my disposal for mixing... It's a no brainer (at least for me). That'll be more then enough processing power for me plus my computer would be free to run my other plugins on top of that (if needed). Eventually I will gets a few instruments to add to my production but it'll be more for layering sounds rather then a bunch of instrument being played like a band. So 4 Mic pres on top of my Great River and 8 line inputs is more then enough for me. Every interface I've ever owned (digi001, 002, Mbox, Mbox 3 Pro) has had more then enough I/O if not to much I/O for what I do to be honest. At the end of the day, I save a lot in the long run and make my studio much better now rather then doing it little by little.
Now I can leave my MBox 3 Pro at home (was going to sell it) at my pre production set up/drawing board and use the Apollo at the studio and just bring the UAD Satellite back and forth with me. Even though I mix in the studio, I'll still be able to load sessions up that have UAD plugins on them just incase... By the summer I'll be adding a new iMac to the studio and using my Macbook Pro at home and when I travel. For the exception of a few outboard pieces (Avalon, 1073 Mic Pre, CL-1B, distressor, and a couple of Mics) I plan on adding to my studio in the future, I won't need anything else for a long time.

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This thread will never end in till some one posts a track that was recorded and mixed with the Apollo!

God forbid it's some one that really doesn't know what they're doing...

.. We'll never hear the end of it!