Curious, would any one use this on non-vocal material, such as meditative, almost droney harmonic mixes? That autobalance looks useful.
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Originally Posted by
kelvyn
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Finally upgraded and did a quick test - Ai and then manually creating a vocal chain with Pitch, De ess, EQ, Compression, Delay and Reverb vs Fabfilter Q3 in dynamic mode, Waves CLA76 blueface, CLA2A, Phoenix R4 and Soundtoys Echoboy Jnr.
Found the Ai suggestion much too bright and the manual chain also a little harsh in comparison to the ala carte chain which was much warmer and analog sounding whilst still cutting through the mix.
The Nectar is a very modern sounding plugin but I didn’t find it easy to get the same kind of warmth as I did with my bespoke chain. So I guess it’s important to use it with the appropriate track.
Interesting. Perhaps try Deverberate and DeFilter at the begining of you chain, then redo the AI and compare what it had previously done. After you dial them to taste, adjust everything after it again... and then slap on 2-6 rGlits and rTimbs in sequence and/or parallel... Play with wet % levels and ordering of them and do A/B testing with theem all in, off, or turn 1 off and back on a bunch bunch of times to determine the ideal setting. Save that setting and then try the rawGs and rawTs inside some uLaws to see if those make it better or worse. Try decode before encode, if you want to make them even more transparent. I think that the uLaws alter there dynamic behaviors based on frequencues, and based on the harshness amounts (more energy moving faster) at each frequency and changed one frequncy's behavior with some dependency of the amounts if energy being moved at the frequencies around them... so a bunch of constantly frequncy shufting and dynamic wobbling of varying peak loudness amounts... this will caouse uLaw to make the things more and more strangely... Untill the strangeness huts some precise setting of suddenly smoothening of nearly everything... with just a few occasional small changes of the freq-wobbling happening.