I am starting to seriously love these end-address LDC's... I've been using them on a stereo bar in X-Y for live rock gigs and getting a drum sound like nothing I've found in 30 years of mixing. Also for various percussion and soloists; sibilance-free top end is smooth, the LDC is big-bodied and rich. A refreshing change from the usual SDC's in live work. My secret weapon