Large-diaphragm Stage Condenser Vocal Microphone with Switchable Cardioid and Supercardioid PIckup Patterns, Low-cut Switch, 10dB Pad, and 40Hz-20kHz Frequency Response
...that. I wouldn't use a condenser in any small room containing a drum kit, but for a band using IEMs the e965 (in supercardioid mode), the Beta 87A and the Electro-Voice RE510 can be made to work. They all sound fantastic, with the Sennheiser having a bit more detail at the expense of some grain...
Which model of the e-series? The e965 is a very different beast to the e835. I find the e935 to be very useful, too. With regards to the D58, I've only found one application for it: if you hang it over a kick drum's batter head, pointing down, you get a really good impression of...
i think e-965 is used much more frequently in the food industry than in our sector... ;-) back to topic: for recording/amplifying vocals, i'd rather use an e-965 or shure ksm-9 than a md-441, simply 'cause they are condenser mics, their pattern can get switched and because they are less expensive than the md-441....
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