Just to add my $0.02, I recently got a pair of Adam F7s, and after a couple weeks of reaching behind them to turn them off when I wanted headphones only, I picked up a JBL NanoPatch+ (same design as the SM Audio brand; prolly just some brand juggling at Harman Audio). I settled on this one over the TC Electronics Level Pilot, which is slightly smaller on the desk and would have had more options for hiding cables, after hearing a few reviews about the Level Pilot having dropout problems in one or both channels at the very bottom of its range (like way below any sane volume level for mixing), and also not having any attenuation markings on the device so you're never quite sure where you have it set. In both cases, however, we're talking about the very bottom end of balanced-I/O level controls; anything cheaper and you're dealing with RCA connections.
After hooking up the NP+, I very carefully listened for any EQ changes or stereo image problems as I turned it up or down, and couldn't find any, not even below -40dB attenuation. It's a better-quality level control than the pot for the headphone amp built into my Mackie desk mixer (which, for about a third the cost of that whole mixer, it had better be).
Maybe I just got a good one, but, c'mon, it's a pot. Admittedly one of the more complex ones in production, but a pot nonetheless. That is the sole signal-altering component of any real consequence (on ANY of the boxes in question); the switches for mute, mono (on the Monicon) or I/O selection (on the MPATCH or Monicon L) functions are make or break, no finely-tuned resistance gradients. All the contacts either work or they don't. There's no compounding or cancellation of manufacturing tolerances between dozens or hundreds of components which requires careful and exacting QC at every step of assembly and testing, as there is on even a basic mixing console. It's this one pot, made up of gangs that Alps can match within a tenth percent variance or less before they're even assembled into the pot. Then the pot just gets a few leads soldered on, mounted in a brushed aluminum box and off it goes. It can't be that hard to make a good one, and by the same token the truly bad ones should be fairly rare (like, you shouldn't have to return it more than once to get a good working one).
Last edited by Liko; 10th January 2017 at 12:09 AM..