The D-50 is an all-time favorite digital synth that's still just as popular today as when it first came out in '87. Once Roland's hottest digital synth, it competed against the Yamaha DX7, and was much easier to use. By joining 8-bit PCM samples with "LAS" synth-generated sounds, the D-50 is capable of unique and complex sounds. The PCM samples contained the attack transients, while the rest of the sound came from the Linear Arithmatic Synth (LAS) section which sounds very analog, with subtractive-style synthesis and low-pass-resonant filters. Built-in chorus and (for the first time) digital reverb are also included for giving your sounds space and life! It also has a joystick controller for real-time timbre manipulation. The D-50 was great for new and non-acoustic, percussive, ethereal and beautiful pads & sounds.
Both the D-50 and D-550 benefit from the PG-1000 external controller which gives you very plain and simple slider/fader type control of all adjustable parameters of the synth. The D-50 includes MIDI on all 16 channels but because it is monotimbral you can only use one channel at a time. There is an upgrade which will give the D-50 and its rackmount version a full 16 channels of simultaneous MIDI multitimbral data communication. This popular synth has been widely used in all forms of music.
...trusted the ACB (and now DCB) more than with these toy boxes, because it is a good technology!
Turned on my D550 this morning to celebrate with Roland... Orinoco floooooow.
...Yamaha REV-7, Ensoniq DP4+, E-MU Emax SE HD, EIIIXP, MKS-80, Prophet VS, Dynacord ADD One, Waldorf Q. Soon to receive: D-550, Microwave I, Zoom 9010.
The SE-3X doesn't look overly deep in this picture (not like a D-550 or any of the Roland MKS rack synths).
That's great because I have always wanted one.
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