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Royer Labs R-121
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Used the world over on guitar cabs and more, the R121 brings ribbon tone to your studio recordings! The R-121 is our flagship microphone and the worlds first radically redesigned ribbon microphone. We did away with the large, heavy, fragile, classic approach to ribbon microphones and went in a completely new direction. The R-121 gives all of the warm, natural tonal response that top engineers have always loved ribbon mics for, but in a compact, light-weight, higher output, tough-as-nails package that was unheard of in a ribbon mic before the R-121.Like many of the best loved classic ribbon mics, the R-121 has a figure-8 pattern, sensitivity in the dynamic mic range, and a warm, realistic tone and flat frequency response. But thats where the similarities end. By using advanced materials and a blend of cutting edge and old-school hand-build construction techniques, the R-121 is a far more versatile and user-friendly ribbon mic that can stand up to the most demanding tasks, including live stage use. Its built solid enough for us to give it a lifetime warranty. The R-121 redefined ribbon microphones so thoroughly that Recording Magazine wrote "the Royer R-121 is destined to become one of the classic microphones of the 21st century".Patented Offset Ribbon TechnologyThe R-121s proprietary offset ribbon transducer (Patent Number: 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. Its an integral piece of the magic of all Royer R-series microphones.Recording With The R-121Tonally, an R-121 hears things the way your ears hear them. Most microphones add their own characteristics to your recordings; some have a hyped high and low end response with scooped out mids, some are super sizzly in the highs, some accent midrange and give very little upper and lower end frequency response, some respond to nothing but low end. They all serve a purpose and have their place in recording and live work. But if you've ever heard something brilliant - an unbelievable electric guitar, an inspiring trumpet, a sweet flute, an amazing kit - and found that getting that sound to tape or hard drive was impossible, you owe it to yourself to try a Royer ribbon. The R-121's response is flat and well balanced; low end is deep and full without being boomy, mids are well defined and realistic, and the high end response is sweet and natural sounding, never edgy or sibilant.On playback you'll find the sound is natural and alive, with a panoramic, ambient feel much like what you heard when you were standing in the room with the instruments(s) you were recording.Recording LOUD!Need to record at insane levels? No problem! The R-121's maximum SPL rating is 135dB at 20 Hz and it can handle that for years. In practical terms, that means you can put your R-121 directly in front of a souped up 100-watt Marshall and open it up  without microphone distortion or damage to the ribbon. We don't recommend trying this with other ribbon mics, but the R-121 was built to take it.Two Mics In OneAt distances of three feet and closer, the back of the R-121 records slightly brighter than the front side. This can be extremely useful when recording acoustic guitars, vocals, and other sound sources that you may need a slightly brighter response on.Lifetime to original owner (repair or replace at Royer's option) Ribbon Element Warranty: One Year Royer Labs R-121 Features High SPL Capabilities No internal active electronics to overload or produce distortion up to maximum SPL rating Extremely low residual noise Ribbon element is not affected by heat or humidity Absence of high frequency phase distortion Equal sensitivity from front or back of element Consistent frequency response regardless of distance Royer Labs R-121 Applications Electric Guitar Amps Drum Overheads Percussion Instruments Brass and Woodwinds Horn Sections Acoustic Piano Acoustic Guitar Harp Solo Strings String Sections Choirs and Orchestras Commercial Broadcast Voice Over Royer Labs R-121 Tech Specifications Acoustic Operating Principle: Electrodynamic pressure gradient Polar Pattern: Figure-8 Generating Element: 2.5-micron aluminum ribbon Magnets: Rare Earth Neodymium Frequency Response: 30 -15,000 Hz +/- 3dB Sensitivity: -50 dBv Re. 1v/pa Output Impedance: 300 Ohms @ 1K (nominal) Rated Load Impedance: >1500 Ohms @ 300 Ohms Maximum SPL: >135dB @ 20 Hz Output Connector: Male XLR 3 pin (Pin 2 Hot) Dimensions: 58mm L, 25mm W (6.13" L, 1" W) Weight: 244g (8.6 oz) Finish: Dull Satin Nickel/Matte Black Chrome optional Royer Labs R-121 Accessories Protective wood case Microphone sock Documentation


Pictures Of Mic'ed Up Drum Kits In The Studio

Here we are, I think I have the ugliest and cheapest of everyone!! Three mics only: c12 clone, royer 121 clone and EV868. I uploaded two files, one (el-vito-funky) is only c12 (no kick or royer) the other is three mics in the mix. Mixed in the box and mastered in analog.

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Slate Digital VRS8 Thunderbolt Interface - Now Available

...capsules and basses where U47 tubes. Room, which is where 90% of your sound should come from, where C12's and Royer 121's. At the same time I've used ML2's for violins and room, and ML 1's for the cellos and basses. I didn't have enough Slate mic's for the violas, so we used the 87's...

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Rec. needed: simple high quality line mixer

why not record two tracks, process individually and sum inside the daw?

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