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Brought to you from the man who invented the term “Parametric Equalization”, the 8200 has been an industry standard for over twenty years, and can be found on virtually every major recording studio’s stereo bus. Each of the five broadly-overlapping bands offers 15dB of Boost or Cut and adjustable bandwidth (or “Q”) from 0.4 to 4. The lowest and highest bands also can be switched to Shelf mode. Quite simply, the 8200 is the archetype Stereo Parametric Equalizer. Its extraordinary resolution, benchmark transparency, generous headroom, and surgical precision have been the reference for many other equalizers but exceeded by no other. The 2U 8200 uses one 8355 PSU.
Massenburg GML 8200. I wouldn't change a thing in the sound of Surge, and I don't remember thinking something like this with any other plugin.
...EQ. Some of these first EQs have distinguished themselves, one of them is still present in many world-class studios: the GML 8200. Pulsar 8200 is a faithful emulation of the legendary GML 8200 designed by George Massenburg, the inventor of the first parametric EQ. As you may know, full EQ control is a formality today, but...
The GML 8200 EQ was famous for that and one of its best uses. Another more modern EQ would be the Undertone Audio MEPQ-1 preamp/eq.
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