Original Vintage Valve Condenser Microphone with nine remotely-controlled polar patterns.
Nine different directional characteristics can be selected by means of a remote control unit without any change in frequency response or sensitivity. In addition to three basic characteristics, omni-directional, cardioid and bi-directional, six intermediate patterns (including hypercardioids) are available. The S 12 control unit is connected to the N 12 power supply unit by the RL 12 remote control cable, and the power supply unit to the microphone by the MK 12 mic cable.
Technical Data
Frequency Range: 20 to 20,000 cps
Frequency Response: ± 2 dB related to published curve
Directional Characteristics (nine different positions): omni-directional.
Cardioid: better than 20 dB front-to-back ratio at 180° sound incidence,
bi-directional: 20 dB front-to-back ratio
Sensitivity: 1.0 mV/µbar (–60 dB re 1 V/dyne/cm2), unloaded (200 ohms)
Equivalent Noise Level: less than 20 dB
Impedance: 50/200 ohms (change solder lugs)
Tube Complement: 1 x 6072, 6.3 volts DC filament voltage,
120 volts DC plate voltage
Mains Connection: 110/125/145/220/245 volts AC at 50/60 cps
Stand Connector: 3⁄8", ½", 5⁄8"-27 with microphone cable MK 12
Dimensions: 10" (255 mm) with connector, 11⁄16" diameter (43 mm)
Weight: 1 lb. 3.2 oz. net (560 g), shipping weight 29 lbs. 12.8 ozs. (13.5 kg)
...capable of rivaling scenarios where the C414, FET47, U87, U67 and C12 have been preferred, and may replace the practice of employing a dynamic and a ribbon in combination on guitar cabinets. Chandler Limited’s Founder and Chief Designer, Wade Goeke, wanted to deliver a go-to utility microphone that would handle an assortment of scenarios. This...
The only AKG made mic I see in these picture is a D19 dynamic in front of Ringo. The rest are U47/48s and a 4038 ribbon mic. I know they used C12s, but I don't remember ever reading about them using a 251 in any capacity.
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