The magical Univibe/Vibe pedal where to put it??
I know will the common answer to this sort of thing is try and see and yeah, that is what one ends up doing. I mull over where to place certain pedals and I find the placement of phasers results in different tonal colors and sweeps.
Since the Vibe is basically a 4 stage phaser with a tremolo like pitch throw at a point in the sweep it can be placed before or after dirt pedals.
I go round and round with this all the time. I no more than place the pedal and then ponder, what if it was here instead?
To complicate matters seems like everyone has a different ideal.
Pedals follow a rule of dominance, anything that comes after carries the most dominant effect and that includes phasers/vibes.
Some say they sound more metallic after, but isn't that more a matter of what else you are doing and if it sounds tinny maybe you should try and tweak something in a little?
Is Bridge of Sighs metallic???
Seems like it has become popular to put the Vibe more in front or all the way in front of any overdrive. I have further issues with this as I use several pedals front of chain that need to be there for proper tracking. In the last year I must have moved my vibe a half dozen times unable to decide. Sometimes I find you have to ignore what might be popular and take another look at something.
Here are some of the issues I have with Vibe before drives:
When I first marveled at this pedal, even having an original for a time and not having a really good one or perhaps it needed repaired. All my favorite tunes that inspired how cool this pedal is to me it was place end of chain. The thing had a terrible buffer and old fuzz units could not handle the buffer nor the pulse sweep of the unit so it went at the end.
Jimi Hendrix used it at the end of the chain.
Early Trower was end of chain, now he uses it up front.
Gilmour's use of the Vibe was end of chain, it remains presently after his drive and gain section in his Cornish inspired board.
Now it has become popular to place the Vibe in front of drives, and Trower now runs his via advice from Fuller in front of his chain.
Gilmour still uses his after dirt and his tone is as legend as Trower. Bridge of Sighs and so many others were end of chain.
Arguably when Trower switched to the Deja Vibe he started using in front and it works no doubt. Robin's tone is as good as it ever was because after all he is the man. But the sound is different. His new rig does not sound like the old stuff even when he does these tunes live. Still sounds amazing but it is different.
Here's what I find:
In front the sweep of a phase or Vibe is somewhat muffled and reduced, the clarity is not there. There is a difference not that one is "better", I like to explore that.
The rule of dominance means the OD after sound will be dominant and the Vibe sweep reduced. A lot depends on the overdrive type and use of course.
Some prefer than more buffered muted sweep as it becomes more of a tremolo effect with a hint of phase. But it changes the fullness of your drive or gain tone may not be a bad thing but it does change it.
Problems come up that usually a tremolo sounds better at the end via amp's that had tremolo circuits were placed after the preamp before the power amp or amp loop location if you will. A Vibe is more like a phasing tremolo sound.
Clarity is enhanced after overdrive where one used to place modulation as the place it belonged after dirt. Now a days that is considered old school, but you know what, old school produced some epic tunes and Gilmour still has his like he used to. So perhaps we should not dismiss off hand.
I know when I had the Vibe in front if I had a complex OD stack going on where the tone was just magical kicking on the Vibe did not help the tone at all. It was messing up the guitar response and dynamics of that tone stack.
So what is the clarity and the sweep definition, it is how Gilmour gets that watery Breath sound, how Hendrix got all that cool cleaner Hey Baby-Risen Sun tone, end of chain into the amp. Hendrix used the Fuzz Face with his guitar volume down to make it like a clean boost.
Gilmour's massive sound is what it is and that is a Univibe integrated into his Cornish board rig on a looper bypass to take it out of line.
No one can argue Trower gets a full massive tone out of his front placed Vibe but one can hear the difference between the old and the new.
Neither is "better" but you can hear the clarity I am talking about.
Witness in a std phaser the tones of EVH with the phase in front, massive heavy but the sweep is buffered through the drive and if you want that Pagey phaser thing with the articulation it has to go after.
EVH also ran his into a gained amp not a pedal and that makes a difference. I personally do not hear the same quality when players run a phase into a high gain pedal, an amp is different. And there is where I am at.
If I want the Vibe going into more an overdrive tone to buffer down the sweep phase, there is the matter of the amp itself. A darker more close to breakup amp tone sounds better than any overdrive the Vibe is run into.
So you can get the cleaner tone and the dirtier tone as well as an option.
Unlike a phaser most vibes sound terrible into a high gain or fuzz, the note definition is a wash out mush. So one could argue the Vibe sounds good in front of drives but not so much in front of high gains.
So question to discuss, argue,and hurl vile insults buried in text. If you place the Vibe or phase after dirt you get increased clarity and note definition like Breath, Crazy Diamond, cleaner Hendrix and early Trower plus if you want the more into OD sound you simply switch channels or presets on your amp which ends up being better than a pedal anyway. Additonal plus also is when you get your perfect pedal OD tone thing going you do not have a tremolo like sweep messing with the overall tone structure and levels.
One only need to refer to Trower's epic masterpieces of Bridge of Sighs and others for a massive gained up tone with it after or Hendrix' Machine Gun.
It most definitely works well.
I use my phaser after my drives because I like more the Pagey phaser sound with articulation and if I want the EVH thing it is an easy channel switch to gain up a Triaxis uber gain tone with the phaser into that.
Is it not the best of both worlds?
A Vibe can also be placed in the amp loop despite the garlic to Dracula reaction Fuller had to such a thing.
Personally I am into setting my rig and system up in a manner that offers me the most options and tonal ranges. So with the Vibe after my drive section I get the best of all uses from early Hendrix, Trower, and present Gilmour to the newer into OD thing by changing my amp settings/channel.
Opinions, thoughts, hate it, love it, shut up???
Yeah, I know, shut up...