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BX5 Carbon

M-Audio BX5 Carbon
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Description

Professional Monitoring for any Studio
The BX5 Carbon studio monitor helps you track, monitor, and mix with confidence by providing accurate sound and dynamic acoustic control. Equipped with a 5” woven Kevlar low-frequency driver and 1” natural silk dome tweeter, the BX5 Carbon delivers a flat frequency response, enhanced stereo imaging, and increased clarity for authentic mixing in a space-saving design. The bi-amplified 80 Watt Class A/B amplification means high power with less noise and ensures that your monitoring setup can handle today's modern music with ease. With the BX5 Carbon, your music is ready for any listening environment.

Sweeter Sweet Spot
The tweeter’s waveguide has been enhanced to provide an expansive sweet spot and superior stereo imaging. A wider mix position gives you professional monitoring for any caliber studio. Pinhole-mounted LED placement cues help locate and light up the sweet spot to ensure a speaker placement that reliably translates stereo information and frequencies. When the LEDs turn bright, you know you’re dead center and ready to start mixing your sessions or laying down tracks with the BX5 Carbon.

Acoustic Control
Mixing doesn’t occur in a vacuum. Your listening environment influences your mixing decisions and, ultimately, the sound of your music. The BX5 Carbon's Acoustic Space Control, a series of calibration switches, helps provide optimal acoustic conditions for tracking, mixing, and monitoring anywhere. Adapt the BX5 Carbon to any mixing environment—from bedrooms to basements to professional studios—without compromising frequency detail or stereo image. The result is a flexible monitoring setup for the most demanding mixing environments.

Specifications

  • Type: 2-way near-field studio reference monitors
  • LF Driver: 5-inch (127 mm) Kevlar curved cone with high temperature voicecoil and damped rubber surround. Magnetically shielded
  • HF Driver: 1-inch (25 mm) magnetically shielded natural silk dome
  • Frequency Response: 56 Hz – 22 kHz
  • Crossover Frequency: 2.8 kHz
  • LF Amplifier Power: 40 W
  • HF Amplifier Power: 30 W
  • Signal-to-Noise Ratio: 100 dB typical A-weighted
  • Input Connectors:
  • 1 x XLR balanced input connector
  • 1 x TRS balanced/unbalanced input connector
  • Polarity: Positive signal at + input produce outward LF cone displacement
  • Input Impedance: 20 KΩ balanced, 10 KΩ unbalanced
  • Input Sensitivity: 85 mV pink noise input produces 90 dBA output SPL at 1 meter with volume control at maximum
  • Protection: RF interference, output current limiting, over temperature, turnon/off transient, subsonic filter, external mains fuse.
  • Indicator: Power on/off indicator on rear panel
  • Power Requirements: Factory-programmed for 115 V ~50/60 Hz, 230 V ~50/60 Hz, or 100 V ~50/60 Hz
  • Cabinet: Vinyl-laminated high-acoustic-efficiency MDF
  • Dimension (height x width x depth): 9.8" x 6.9" x 7.9", 250 mm x 176 mm x 200 mm
  • Weight (without packing): 11 lbs., 5.0 kg*

Discussions

JBL LSR305 vs Adam F5?

...these at any price. Perhaps these are suited to DJs In their studio environment, but CERTAINLY not for mixing. M Audio BX5's Good monitors, overall good clarity in the HF's but man they just are SO fatiguing for some reason. They are well made, and definitely sound decent for the price. The only...

Too much hiss in my Dynaudio LYD 7. Callout to the owners!

...I get from may Ampeg Portflex head. The monitors I use are dead quiet. I bought a set of M-Audio BX5 which are typically $300 a pair but got them on sale for $125. they are 75W Biamped 30W HF tweeter amp and 40W LF woofer. (new ones are 100W each) I...

Monitors - quad/multichannel

...and they all had to be the same, small, good-sounding, relatively loud and affordable. I chose four pairs of active M-audio BX5 D3 speakers and never looked back. During the pandemic I even used these speakers as the main PA for live performances in small venues like galleries - one pair in the room and...

Reviews

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