Limiting is used in audio production to reduce the dynamic range of a track or program material. In audio mastering applications the limiting effect is used to raise the level of a track or mix, thus making it louder, by pumping more input level into the limiter and setting a “ceiling” threshold transient peaks will not exceed, avoiding any digital overs. The principle behind this is basically the same of a compressor where the ratio is set to ∞ :1, so that no signal is passing over the threshold, and time constants are set for very fast attack and release.
The IK Multimedia Brickwall Limiter was designed to be used in mastering applications (though it also can be creatively used in mix contexts) as a final tool to bring your track or mix to “industry standard” RMS levels. Its transparency and ease of use make it a very fast way of achieving finished, master quality tracks that stand out with all the level and boldness demanded by modern digital audio. Just set the Output Ceiling and raise the input until the desired loudness is achieved.
...makes a dull guitar cut through the mix. A chain of "IK Clipper (Yellow) (max 2 dB of GR) and the IK Brickwall Limiter (max 4 dB of GR) in Clean mode for bringing the appropriate weapons to the Loudness War. "Waves Kramer Master Tape" on 7.5ips for smoothing out harsh and/or sibilant vocals. "Waves CLA76 Bluey"...
Cool. I hope that it works out for you. BTW, I also used T-RackS Comprexxor (I got it free from IK!) to parallel compress 10 dB with the slowest attack, a fast release, and a 20:1 ratio. I just used the default setting, but changed those parameters. All drums except the hi-hats went through that...
Posting for posterity. I counted and it looks like i have 45 Tracks items. Hence why it I am not at 50+. :-( I think where this falls into is the old trap of, do you keep buying Total Studio and upgrading or do you hodge podge your way around little purchases here and there...
Nobody has reviewed this product yet. Have an opinion?