Digitally programmable, 100% analog signal path
This triple channel rig-in-a-box is a no-brainer solution for players needing three hot tones served up fast and easy. Dial up a tone, double-tap one of the three preset footswitches, and it’s saved. Yeah, it’s that easy. Whatever you want, from country clean to nu-metal dirt, the TRI-A.C. will hand over three flavors of the finest SansAmp tones faster than a drive-thru.
The genuine analog SansAmp circuitry features Drive and Level controls, an active three-band EQ, and three selectable amp voicings:
TWEED = Fender®-style
BRITISH = Marshall®-style
CALIFORNIA = Mesa/Boogie®-style
When you select one of the 3 pre-voiced amp styles, every dimension of each individual personality changes. It is not merely a difference in EQ or gain structure. Each amplifier type has its own tonality and its own input sensitivity. Each interacts differently to the dynamics of your playing style and to the signal level of the instrument.
...- Japanese late 80's
Monitoring
Sennheiser HD25-1 (70 ohm)
Sennheiser HD280
AMP SIMs
Tech 21 Sansamp TRi-AC for gtrs
Sansamp Bass Driver D.I. + Boss limiter pedal + Ibenez Phat Hed for bass
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"Higher end" stuff
Atkin acoustic gtrs
Fender Jazz Deluxe
Hello, I would try different kind of guitar/pickups direct to interface. I use a Tech21 Sansamp TriAC for my direct recording, and I'm very happy with it, and always was, but time ago it only sounded good with my Pacifica 812 (Strato-like) and my Telecaster: i managed to obtain good sounds out of it with my...
...to mind. I really like the ADA analogue cabinet simulators and have a couple of GCS-2s here and running a Tech 21 Sansamp TRI-AC into one of those can make great sounds. Boss makes some 'canned sound' pedals that are one trick ponies but when it's the right trick can work - like the...
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