Repro-5 shares a lot of sonic DNA with Repro-1, but adds new flavours and characteristics. First: it's polyphonic! Play rich pads, shape them using the resonant lowpass filter, drive the polyphonic distortion unit as hard as you like, and finally polish your sound with five built-in effects. Keep it lush, or go for thick detuned unison leads. Repro-5 adds new dimensions to the familiar classic sound while keeping analogue authenticity front and centre.
Why Repro-5?
First we released Repro-1, a faithful component-level model of what was perhaps the mostpowerful-sounding monophonic keyboard ever built. It seemed that people liked Repro-1 so much, they wanted more... Would we please consider making it polyphonic?
After umming and ahing about the idea, we decided to give it our best. A few cuts were inevitable (for instance in Repro-1, oscillator B can modulate its own pulse width, which we gladly dropped from Repro-5). We soon realized what was happening to our new baby: It was looking more and more like its true father, a famous 5-voice polyphonic synthesizer from the same company born in 1978.
Features
Tweaks panel
Eye-candy like in Repro-1, the Tweaks page is there to let you change the fundamental behaviour of individual modules. The Repro-5 version includes 10 user-adjustable jumpers (mini circuit connectors) and 6 module tweak selectors, plus Microtuning. All the main controls of the synthesizer are also accessible.
Additionally, since Repro-5 is polyphonic, there's access to a row of 8 trimmers used to set a stereo pan position for each individual voice.
Polyphonic distortion
While Repro-1 includes a sequencer, Repro-5 comes with a distortion unit.
Each voice has its own processor, which means there is no interaction between notes in a chord.
The distortion gets applied to the signal before the rest of the included effects.
There are four different modes available:
Soft Clip, Hard Clip, Foldback, and Corrode - a sample rate reducer and bit crusher, all-in-one.
Stomp-boxes
Repro-5 ships with a set of 5 (excluding the distortion unit) high quality effects in the shape of stomp-boxes. From subtle to extreme adjustments, this section expands the polyphonic synthesizer's capabilities beyond expectations.
While Repro-1 includes Jaws (a wavefolder), Repro-5 replaces it with a saturation unit: Velvet, with support to different modes, followed by the same effects found in the monophonic brother: Lyrebird (a flexible delay, which inspired the creation of Colour Copy), RESQ (semi-parametric EQ or resonator), Drench (a lush plate reverb), and Sonic Conditioner (a stereo saturator and transient designer - to add the right amount of gelatine to your patches). All effects are rearrangeable through drag and drop in the FX Chain section.
...a direct sound comparison, or blind test, of the Take 5 vs the virtual emulation of the P5, U-He Repro 5, would be very nice, at least for me to justify the new space that the Take 5 would take in my studio.
...pot on a Prophet 5 produces the same sonic result as turning a controller knob midi-mapped to the cutoff on Repro 5 (and besides, most P5 chords in old school BC tracks were probably sampled to begin with). Moving a volume fader on an old mackie mixer produces the same result as moving a...
I understood your point and I still disagree with it because like I said before I live it daily. If I could sell my p5 right now and use a plugin I would but using an analog synth like a prophet v, how that synth sounds and feels, inspires, the knobs and keys and so...
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