The No.1 Website for Pro Audio

LRM-2b

NoHype Audio LRM-2b
0 Own It
0 Used It
0 Want It
0 Watch It

Description

Light Ribbon Microphone. New version of the LRM-2, released in Nov. 2018. The LRM-2 was originally based on the LRM-1 but upgraded in several ways. The LRM-2b goes further with higher sensitivity (at the motor/before the transformer) and a symmetrical, pure Bidirectionnal/Figure-8 Polar Pattern while the overall tone has been retained - yet with an even flatter response. This is a great choice for Classical music or any track needing a flat but smooth response with a symetrical Fig-8 pattern. Sold with soft padded protection bag, also available with Lundahl output transfomer. Shockmount included. Ribbon tensionning, final assembly and testing performed in our workshop in Belgium. The current version of the LRM-2b has a new shockmount design with stronger hardware.

  • Light Ribbon Microphone: Long ribbon motor in a relatively light and small one-piece body protected by a strong grille.
  • Integral and removable shockmount.
  • Response based on the vintage RCA 44BX with improved high frequency response; more linear than the LRM-1.
  • Frequency response: 30 to 18,000Hz +/- 3 dBs.
  • Polar pattern: Symmetrical pure Figure-8 (nulls at 90° and 270°) polar response.
  • Sensitivity: -55dB (0dB=1v/Pa) +/- 1 dB at 0° angle (front).
  • Impedance: 250 Ohms nominal/leg.
  • Max. SPL (1% THD @1000Hz): 135dB.
  • Fitted with removable EU size metal stand thread adapter (default USA size without adapter).
  • Size: 175mm x 48mm (exc. Shockmount)
  • Weight: 580g.
  • Shipping/packed Weight: 1300g.
  • Available with our "stock" transformer or Lundahl transformer.
  • Free matching when buying pairs or more, please inquire.
  • Ribbon tensionning, final assembly and testing in our workshop.
  • Please typically allow one more working day for Lundahl option if not in stock.
  • Differences with the (discontinued) LRM-1:
  • Smaller size.
  • Lighter weight.
  • More solid, stable and less resonant one piece body.
  • Integral (but removable) shockmount.
  • Slightly different response, mainly flatter top end and more open low end.
  • Differences with the (discontinued) LRM-2:
  • Redesigned motor with higher output and symmetrical (front=back) response.
  • Redesigned, sturdier shockmount.
  • Reduced manufacturing tolerances.
  • Flatter frequency response.

Discussions

NoHype Audio's new ribbon mic is out now

...primitive and bound to a price. The LRM-2 fixed almost al of the issues found in the LRM-1. The upcoming LRM-2b goes further in the development of a linear ribbon built to fit in the budget end of the market. The LRM-V exists only because I kept getting request for the shape of the...

Tritonaudio FetHead vs. FetHead Germanium

...between the two FetHead Versions, I made one myself. I recently bought a matched stereo pair of the Nohype Audio LRM-2b ribbon mics. I love these mics, they sound great on almost anything, but of course the preamps of my Focusrite Clarett 4Pre Interface have to be pushed to literally their limit when recording...

Pictures Of Mic'ed Up Drum Kits In The Studio

Kick-M88 Kick Out/Kit-M49 Snare Top-57 Snare Bottom-D112 (or58) Hihat-M160 (or condenser if using ribbon overheads) Overhead AB-though one, i don't know that CM4 and the ribbons and last time i used tlm170s for overheads was a very long time ago. But i think i remember it sounding good. So experiment with what you have but my gut feeling is telling...

Reviews

Nobody has reviewed this product yet. Have an opinion?