Highly affordable AKG large-diaphragm microphone technology;
cardioid polar pattern for multiplicity of vocal and instrument applications.
The earlier model C3000 has had a large fan club in the project studio and home recording worlds for years. For the new C3000 B, AKG designed a special 1-inch large-diaphragm transducer that closely approximates the vibration performance of top-class studio microphones, but can be made at much lower cost.
Due to its surface area and special capsule tuning, the C3000 B large-diaphragm transducer produces an exceptionally pleasing, smooth sound. Unlike in the C3000, the switchable 10-dB preattenuation pad immediately follows the transducer in the signal path, thus increasing the C 3000 B's SPL capability by a true 10 dB. Loud sound sources are therefore no problem.
An acoustically optimized cardioid polar pattern makes the C3000 B an excellent choice for both recording and live sound applications where high gain before feedback is paramount.
1 - AT2020 2 - AT3525 2 - Rode NT5 1 - AKG C3000b (great for hats!) 1 - Apex125 1 - Apex126 1 - Shure PG52 3 - Shure PG56 To be bought this summer: M179 As many E/V ND468 as I can afford (hopefully 5) Electro-Harmonix EH-R1
...if someone could help to identify some of the gear it would be kind. I think there are AKG C3000b on overheads, could the mixer be a soundcraft? There is a ProTools sessions with Digidesign 192 Converter, The rest of the Rack gear (preamps, compressers, effects?) I can’t tell. I’d really like to know...
...other LDC mic I've used, though like many "poor student" types that's limited to the likes of Rode NT1 and AKG C3000B. Smooth and unhyped, detailed without being bright. A pair of OC818's may be the ticket, perhaps sooner rather than later before someone realises they could cost more and still sell. Progger, thanks for...
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