The MA5 was created to fill the need for a high-quality microphone preamplifier with the characteristic sound of early ‘70s British Class-A consoles. The re-engineering in the creation of the MA5 stemmed from years of experience restoring both American and British modules, deeply rooted in classic transformer-balanced, discrete electronics. Only the best and most suitable components are used throughout, regardless of cost, to attain the best sound.
Over a year was spent on the MA5- not only on the engineering side of the design, but also in extensive sound evaluation with observation of specific settings, gain structures, and key components.
We have always believed that our ears’ sensitivity coupled with experienced judgment of sound is still unparalleled- even with some of the best audio test analyzers which we own and use. In the end, it is our ears we are trying to satisfy.
The MA5’s full and open sound is due to a rich harmonic content, particularly in the very low frequencies- even down to, and below, 10Hz. The clear mids and smooth highs come through without sounding dull or smeared.
i plan on buying 16 channels of the same make/model of mic pre for drum tracking. I currently plan on 16 ch. of Avedis ma5. Interested which mic pre you'de choose for this application.? i know its gearspace and all, but please try and stay on topic.
...1C Hats - Neuman KM84- Neve 33115 Toms - Vintage MD421’s - SSL console OHS - Neumann U47’s - Avedis MA5 - Manley VariMu Room - Neumann SM69fet - CraneSong Flamingo Crotch - Coles 4038 - Vintech x73i- Urei 1176F