Fully modular console design for ease of service and flexibility.
36 mic/line inputs with dedicated mic preamps, 20dB pad, phase reverse switch, independent control over mic or line level gain, and 48V selectable phantom power.
Ultra flexible routing assignment switches provided on each channel.
Comprehensive 4-band semiparametric equalizer is fitted to every channel. +/-14dB selectable high shelf frequencies at 6kHz or 12kHz, and +/-14dB selectable low shelf frequencies of 60Hz or 120Hz. Two mid bands available. Low mid band ranges from 80Hz-3.2kHz while the high mid band ranges from 400Hz-12kHz; both with selectable Q at either 4dB/octave or 8dB/octave. Dedicated hi-pass filer switch rolls off below 120Hz at 12dB/octave and EQ bypass switch.
24 buss plus separate stereo buss output structure assignable from each channel strip.
8 mono/4 stereo subgroups with dedicated faders, assignment switches, pans, mutes and PFL switch.
Dedicated illuminated mutes and PFL switches per channel plus 2 assignable mute groups selectable per channel.
4 mono and 2 stereo auxiliary send with 8 returns.
Complete control room/master section including dim, mute, mono downmix, 2 track inputs, multiple monitor speaker outputs, internal talkback mic, mute groups.
Three Integrated 96 point TT patch bays with EDAC connectors on the console’s underside for connected outboard equipment, tape machine etc (cables included).
4 selectable mono auxiliaries and 2 selectable stereo auxiliary both with pre/post switches
Fully integrated LED meter bridge with 3 illuminated analog VU meters.
Padded armrest with beautiful decorative wood cheek end blocks.
SSL 4000E, 4000G, 9000J,9000K, AWS 900, AXIOM MT+ Neve VR , 88R , 80 series Trident A, 80B MCI API Harrison 10 TAC Matchless Amek Rembrandt SAJE D Control apart from the D Control that I own my preferred ones : SSL 9000K,4000G,4000E,Neve Series 80,88R , Harrison 10 .
...set-ups...it is wonderfully aggressive but not full-on metally. For a growly, sexy, blues tone, there's hardly anything better than a Matchless DC-30 combo. It just has the perfect color for expressive guitar solos. But besides the Matchless, I've had great luck with random little off-brand combos I've collected from back rooms of pawn shops: Valco,...
I had a Soundcraft M12 and even if the mixes came out well, it was as if they didn't reach a certain point, the sound seemed small and crushed compared to reference records like "We can't Be stopped" or "Terror strikes - Always bizness , never personal".
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