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Designed with a cardioid pickup pattern for isolation and feedback control, the i5 is equipped with a VLM™ diaphragm for natural, accurate sound reproduction. The i5 is used for stage, studio and broadcast applications and is able to handle SPLs in excess of 140 dB without distortion.
The i5 can be used to mic a wide variety of musical instruments, guitars and bass cabinets as well as vocals and speech. The i5 is sturdy, compact and easy to position. With a wide frequency response of 50 Hz - 16 kHz, the i5 provides clear sound reproduction without having to rely on EQ.
Designed, assembled and tested by Audix in the USA.
MXL 990 (x2) MXL 991 (x2) MXL 910 CAD GXL2200 CAD Trion 7000 CAD Trion 8000 CAD Pro-7 Set (KM212, SN210, TM211 {x3}, CM217 {x2}) Audix i5 Shure PE588 MXL R144 CAD TSM-411 Shure Beta 58A (x2) Shure SM57 MXL R40 (x2) It's taken a couple of years but it's getting there. Never really ends though, does it?
...TP/30 EC320 (88): Fatar TP/30 i2 (76): Yamaha FS-E76 i3 (61): Yamaha FS-61 i30 (61): Yamaha FS-61 i4 (S) (61): Fatar TP/9S, gewichtet i5S (61): Fatar TP/7BA iS35 (61): Fatar TP/9S, ungewichtet iS40 (61): Fatar TP/9S, ungewichtet iS50 (61): Fatar TP/7BA iX300 (61): Fatar TP/9S, ungewichtet Karma (61): Fatar TP/9S, ungewichtet Kontrol 49 (49): Fatar TP/9S, ungewichtet Kronos (73/88): Korg RH3 M1 (61): Yamaha...
...snare sound. For kick I use a PZM mic by crown (don't know the name) and snare top is an Audix i5. On kick I'm missing this huge lowend I can't quiet get out of the pzm and also sound boxy and I have to eq a lot. So I have my eyes on the...
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