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Modeled on the legendary electro-optical tube compressor, the CLA-2A compressor/limiter plugin emulates the original’s smooth, frequency-dependent behaviors that have made it a favorite of engineers everywhere. Like the mid-‘60s classic, the CLA-2A sounds great on guitars and bass, and really shines on vocals. Top it all off with Chris Lord-Alge’s personal presets, and seemingly limitless instantiations, and you’ve got a model that surpasses its inspiration. Featuring compressor and limiter modes, a sidechain frequency filter, zero latency, and great on guitar, bass, and vocals.
...I have to tweak a lot to get the result I want (compared to the vc-2a from ni and the cla-2a from waves for example). - I miss a bit of warm 'growl' on bass at these high compression settings. At very high 'peak reduction' = very low thresholds (about -20 to -30) I miss...
...have: - 160 plugins & bundles at their lowest prices ever: Including Waves Harmony, Clarity Vx Pro, Vocal Bender, CLA-2A, F6, SSL 4000 Collection, WLM Meter, Abbey Road Saturator, CLA Nx; many more - Top-selling plugins at $24.99 (!) : CLA-2A, Vocal Bender, F6, Abbey Road Saturator, PuigChild Compressor, Greg Wells MixCentric; many more...
https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&cad=rja&uact=8&ved=2ahUKEwiT7YyXitOLAxXM6skDHQ6_AXQQtwJ6BAgIEAI&url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DK0XGXz6SHco&usg=AOvVaw3im94idPHdF4v8cyVQwhuV&opi=89978449 This video ~may~ help. Aside from some of the sonic characteristics from different units, compression with the FF C2 may give you a launching point to start to hear differences. Use it across an entire practice mix and then notice how your needs for different feels and movements require different parameters. I'd...
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