The NS-10M STUDIO retains the unique sheet-formed white-cone 18cm woofer of the original NS-10M, but employs a redesinged 3.5cm dome tweeter to achieve high-end response that is more suitable for studio use. Optimum woofer/tweeter matching and careful crossover design ensure smooth, natural transition between frequency ranges with minimum phase variation. Frequency response is remarkably flat from 60 Hz right up to 20 kHz, and superior transient response delivers crisp, transparent sound. The exceptionally tight, clean reproduction and precise overall response of this system is a must for accurate sound evaluation and image positioning.
While the original NS-10M was primarily a vertical design, the NS10M STUDIO has been remodeled to facilitate on-console horizontal placement. Overall construction is more rugged to withstand the rigors of nonstop professional use.
SPECS Frequency Range: 60 Hz to 20 kHz Power Capacity: 60 watts(PROGRAM), 120 watts(MAX) Nominal Impedance: 8 ohms Sensitivity: 90 dB SPL(1W, 1m, on axis) Crossover Frequency: 2 kHz(12dB/oct) Enclosure: Real wood, black finish Dimensions(WxHxD): 382 x 215 x 198 mm (15" x 8-1/2" x 7-7/8") Weight: 6 kg (13 lbs. 3 oz.)
...depends on the engineer and source material. Plenty of great and terrible mixes have been made with and without NS10s. The "NS10" of today is the iPhone. Some engineers literally mix to an iPhone. My belief is that mixing on NS10s or other frequency-starved, frequency-odd playback systems is neither a necessary nor...
...in a room like this either, and I still felt that way. But like you can also make great mixes on ns10s with DIY acoustic treatment. Anyway just another perspective.
Ignore him. He's the "flat frequency response" ASR cultist. Posts in every monitor thread, doesn't understand anything, can't mix... the usual.