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Clear Skies Ahead.
Plug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you’re elevated into a glow of lush, glorious, radiant reverbs.
To create a reverb experience as natural, beautiful, and immersive as BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. We faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future.
Go where no reverb has gone before.
Feel the mechanical tension of the Spring reverbs. Hear the floating particles of the Cloud machine. Defy the laws of physics with the Nonlinear reverbs. Unleash the multi-head reverberations of the Magneto machine. BigSky gives you twelve studio-class reverb machines, each with simple yet powerful controls.
...blown away with the analogue-ness of my Matrix 1000 going through an RE201, into the Studio Buffer, into a Strymon BigSky, into the ART PRO VLA II. The sounds I was getting were huge, thick, and warm. VERY old school OBX-ish tones. The more I pushed into the...
...it fits, but I am sometimes wondering, how would it sound, if I switched it with BigSky. Regarding the synth: some strange choices here, but it has its own character that comes in biggest part from filters. They remind those from M12’s filter topology configurations, but George claimed that they are novel design and...
...does. They are more lush and hifi sounding. Which sometimes you want, but sometimes you don't. I also have a Strymon BigSky. Which sounds very much like a Strymon. Not my fave overall, but it does have character. It pairs very nicely with my OB6. The reverb on my 1010 BlueBox is very nice. It's...
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