When we decided to create a studio-class stereo delay effects pedal, we knew we must go well beyond what has been done in the past—in sound quality, sonic flexibility, hardware design, and processing power. We spent months locked up in the Strymon sound design labs with an intense focus on dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed. Each algorithm is so detailed it requires the entire processor.
TimeLine provides you with twelve different delay machines, each with extensive control over sonic character and feel. Tweak to your hearts content and save up to 200 presets of your favorite sounds. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss.
What do you Guys think of the eventide timefactor? Or strymon timeline? Which one would you choose?
...too like the OTO BIM, Soundtracs Mixer, Blofeld, RME DigiFace USB some Quiklok stands etc... plus moved on my Strymon Timeline and Analog Rytm. Only things I'm still waiting for is a Proco Rat Pedal, another pair of IsoAcoustics stands and a few cables.
...rack synth via Neutrik NYS-SPP-L1 on patchbay, like this: A1, B1 - ROLAND V-SYNTH STEREO OUT (LEFT, RIGHT) A2, B2 - STRYMON TIMELINE STEREO IN (LEFT, RIGHT) A3, B3 - STRYMON TIMELINE STEREO OUT (LEFT, RIGHT) .......... A22, B22 - SSL SIX SUPERANALOGUE 1,2 INPUT (LEFT, RIGHT) A23, B23 - SSL SIX STEREO 3,4 INPUT (LEFT, RIGHT) A24, B24 - SSL...
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