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Originally Posted by
Psychlist1972
β‘οΈ
Out of curiosity, why would you go into it saying "I want a DCO synth" instead of looking at diff synths and seeing which one gels with you sound-wise and interface wise?
Modern stable VCOs sound and act a lot like DCOs. There are also really incredible desktop synths like the Novation Peak that aren't DCO, but can cover the territory and then some.
I guess I associate DCOs with a sharper more buzzy kind of sound, where VCOs seem to sound a bit rounder. This has been my experience but mostly with modern stuff, though I did have a 106 and a Poly 800 back in the day. I guess Iβm basing that on the DCOs in the Analog Four, Prophet 08, MoPho, Evolver (I know the last three are the same DCOs.
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I've never really thought of DCO bringing anything truly unique to the table sound-wise. Back in the day, it was created just to provide more stable tuning without the (at the time) hated VCO drift that we all seem to look for today.
My thoughts are based on pretty limited anecdotal evidence, but for sh!ts and giggles I went and listened to all the square and sawtooth waves of all my synths. Itβs surprising how much variance there is between the analog ones, but the digital ones (Pro 2, 002, Peak) sounded really similar to me. The REV2 definitely had a different tone than any other analog and not like the digital ones either.
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BTW, the Analog Four is a fun box, and sounds great. The new one is even nicer. Also has CV outputs so you can sequence a limited amount of modular or other CV-controlled gear. I wouldn't buy the Rytm expecting it to be a poly. You can hack with it, but first and foremost, it's a drum machine.
I did have an Analog Four and I do kick myself for getting rid of it. I loved itβs weird vibe. I seriously considered it, but in the end I knew that what I could do with 16 voices and two layers would be more interesting. All the other tricks the Analog Four does, not counting its sequencer, are things I can do with other instruments I have. So I went REV2.
Pete[/QUOTE]