Quote:
Originally Posted by
joeq
β‘οΈ
What's it to you how many "inches" you are from the mic? If a different mic sounds better at a different distance get to within the amount of inches that sounds best.
Dynamics tend to have less gain. As you get farther away you will need to turn them up more for the same level of singing. With a decent preamp, or a loud voice, the volume requirement may not be an issue.
But the further away from the mic you are, the greater the percentage of 'room' you are going to get in the recording. You will have to make a choice. Fix your room or sing closer to the mic.
first of all, IMO, while the whole "forgiving of a bad room" is something of a truism, it is taken way too seriously around here IMHO. People who do studio vocals on condensers often get to within 3-4 inches too. People with bad rooms get that room leaking onto their dynamic mics too. It's not a magic bullet. It's a slight edge in my opinion and an edge that can be overwhelmed by other considerations.
Dynamic cardioids tend to be a tighter pattern than condenser cardioids. But they are still mics, they still in the same damn room. When you get really close to a mic you get proximity effect which is probably the "directly in the listener's ear" thing you are talking about. Some mics - like the RE-20 can allow you to get really close and minimize this effect. Sound more natural.
Omni mics can as well, but you are trying to keep the room out, so forget them.
There are ways to treat your room and then you should use the kind of mic that sounds best for the recording you are trying to get. Don't buy a mic based on your room. Buy the best mic you can and fix your damn room. Personally, if I couldn't fix the room, I would still choose the mic I liked the sound of best.
I was referring to the proximity effect, the only reason I mentioned distance from the mic. Every time I think of a question to ask, you end up answering other questions that pop up in my head. You respond with a suggestion/answer and also imagine yourself being in my situation and having to make a decision. Now I feel I need to buy an NT1, to A/B test it against the E835 dynamic that I purchased, which will be arriving this week. Iβve seen several posts where people say that dynamics do not sound good for vox until you get into the SM7b/RE20 price range. However, cheap condensors are harsh, sibilant, and have a strange high end. Within the next few weeks I can end up with a SM7B, NT1 or E835. Hey, well at least we know that Yeti USB will be thrown in the closet. I'm 99% sure of that. Thanks again
Quote:
Originally Posted by
Wayne
β‘οΈ
To add to what's been said, typically live vocal dynamics (like your E835) are tailored -voiced- with a low freq roll off -to compensate for the strong proximity effect of their intended close working distance-
And it's mostly the closer working distance that gives them better 'voice to room isolation effect.
The down sides here are; the (arguably) compromised tones of being 'real close up', and the very strong swings in tone and level from small distance changes for the same reason.
And their generally thin tone when you do use them farther back.
Up shot is, get some baffles -at least, a couple inches thick, around you and the mic, some above to do the ceiling? Now you have expanded your available usable mic working distances, which also opens up your mic choices.
Gotcha! That makes sense. The baffles you mentioned are made of(fiberglass, rockwool, cotton, etc? The only treatment my parents will allow me to bring into the bedroom is an extra mattress. So I plan to place that behind me with the top of the mattress touching the wall. Maybe that can help for recording clean takes as well as lower the DB outside my room. So that no one in the house can hear me rap lol. I appreciate it.
Quote:
Originally Posted by
Monsieur_R
β‘οΈ
Fantastic advice! Have someone come over to your place, and have them set the template up with you so you understand.
Right, that was a great suggestion. Thanks
Quote:
Originally Posted by
el_gringo
β‘οΈ
From what you've posted IMO the best thing for you to do would be to ignore the room entirely, mix on headphones and buy an Isovox or Auralex Headbooth.
The plan is to mix on headphones. $1000 isovox is way out of my budget. Thank you