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Shure SM58
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The Shure SM58 unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. It has a tailored vocal response for a sound which is a world standard for singing or speech. A highly effective, built-in spherical filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. Shure SM58 Features Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently, outdoors or indoors. Frequency response tailored for vocals, with brightened midrange and bass rolloff Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise Pneumatic shock-mount system cuts down handling noise Effective, built-in spherical wind and pop filter Supplied with break-resistant stand adapter which rotates 180 degrees Legendary Shure quality, ruggedness and reliability Cardioid (unidirectional) dynamic Frequency response: 50 to 15,000 Hz


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...these "low-end" collections filled with fantastic ribbons and Neumanns. :lol: What the hell, I'll play. LDC/MDC: Neumann u87ai Audio-Technica AT4033 3U Audio Warbler Dynamic: Beyerdynamic M88 Shure SM57 Shure SM58 Sennheiser e604 SDC: iSK Pearl iSK Little Gem Wireless: AMT Roam elite 1 ...Really just got those iSKs on a whim since they were so cheap. I may have damaged the Pearl's capsule somehow, it's very dull-sounding now! The...

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Universal Audio Announces Volt USB Audio Interfaces

...of songs mixed...he had recorded them out on the reservation using a Pentium III a sound blaster audio card, an SM58 and some guitar pedals...I expected it to be was some of the most creative and pristine recordings we had ever popped into the Lynx Aurora converters... Most of our limitations are in our...

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The Shure SM7B: Five Decades In, Still Shaping the Soundtracks of our Lives

...the late 1960s, this element became the foundation of the ubiquitous SM57 and SM58 and informed the design of the SM7’s forerunner, the SM5 broadcast microphone. The SM5, introduced in 1964, was first marketed as a boom microphone; it became popular in radio and film studios, and was adopted as an on-air broadcast mic. But...

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