Carl Tatz Design PhantomFocus eChairs are specifically designed to be the ultimate chair for the audio professional. Now available in six different models. The new Master Engineer Series model features an enhanced-comfort backrest.
The PhantomFocus™ eChair™ is the perfect companion for, and now an integral part, of the revolutionary PhantomFocus™ System (PFS™) for professional audio monitoring from Carl Tatz Design (CTD). It is the world's first chair specifically designed and built for the recording engineer and is now available to all serious recording professionals. Once properly adjusted to each unique physique, the engineer can be “locked in” to the PFS listening sweet spot, here-to-fore unattainable with any other chair, rendering a consistent listening posture while making slumping virtually impossible.
The PhantomFocus eChair is the pro audio application of the obsessive research and development done by Steve Knight, a former Grand Prix and Endurance champion Le Mans and Grand Am series racecar driver, to design the ultimate chair for back support and posture. It features advanced mechanics and materials to perform in a manner that actually improves the health of an engineer's back. The patented ZenWave™ motion provides unbinding, stress-free support as the engineer leans forward in a natural position, and protects the lower back from injury. Additionally, Knight indicates that the scientifically designed backrest moves with the engineer to massage the lumbar area of the spine, which increases blood flow and nutrients to the lower back muscles and intervertebral discs.
"In 25 years of composing and programming at a keyboard and DAW, nothing has kept my back as healthy or, through the ergonomics of its design, kept me as physically and mentally poised for the task at hand as the PF eChair - I know, because I’ve tried most of them, including chairs nearly ten times the price.” - Tom Snider, composer/engineer/owner, The News Room,, Nashville, TN
"With Tatz's long time association with world-class studio design and drop-dead monitoring in mind, he has upped the bar with his new PhantomFocus eChair. We purchased one, and our staff immediately demanded another. This is the mixing chair that I (and my lower back) have long sought." - Mike Kolar, engineer/producer/founder, Soundscape Studios- Chicago, IL
"Our Aeron chairs provide comfortable seating for clients however, working at the console I can mix on the PhantomFocus eChair for a full day, and when I stand up, I feel like I haven't been sitting at all. It has by far the best support for my back of any chair I have tried." - Sean Spence, engineer/producer/owner, The Blue Grotto
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PhantomFocus eChair from Carl Tatz Design in Nashville Chairs may seem the least necessary gear in a studio until you consider how much time you sit (I assume you are tracking, mixing or mastering, not standing while shredding on your 1959 Gibson Les Paul). Chairs come in a wide range of styles...