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Mono mic-pre + 3 band EQ. Fixed high frequency and fixed Q + high pass filter.
transformer microphone preamp amp (Class A design)
3 EQ bands
Hand-built and hand-wired to original 1970s design
HP filter
Neve designed hand-wound transformers
Both inputs are transformer balanced and earth free
Microphone Input: Gain +80db to +20dB in 5dB steps.
Line Input: Input impedance 10k ohms, gain +20dB to -10dB in 5dB steps.
Output: Maximum output is >+26dBu into 600Ω.
Output is transformer balanced and earth free
Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output
(80kHz bandwidth) into 600Ω.
Freq Response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz. EQ Out.
...with a vintage BCM-10) and I can tell you what MY ears (and sometimes the engineer there) thought. The list: AMS 1073N AMS 1073 hand-wired BAE 1073 BAE DMP Heritage 1073 Shelford 5052 Converted vintage 1272 Vintage Neve 1290 with correct vintage input/output transformers Is this the answer you are looking for? I did all these comparisons over a while but always level...
...the DSP hardware that was previously required. The UADx line includes the famed 1176 and LA2A compressor collections, the Neve 1073 Preamp/EQ, the Studer A800 tape machine, Lexicon's 224 Digital Reverb, the API Vision Channel Strip and 2500 Bus Compressor, among others. The initial native plug-in selection will be further expanded in the future....
...first whenever I finish recording...? *So this is LINE input and not MIC input of my UFX mk1. JZ v12 --> Neve 1073 (phantom power on) --> 33609 compressor --> Avalon 747 EQ --> Analog input 1 of UFX mk1
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