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UltraGain Pro-8 Digital ADA8000

Behringer UltraGain Pro-8 Digital ADA8000
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8-channel Microphone Preamplifier and 44.1/48kHz 24-bit AD/DA Converter

Ultra-high quality 8-channel A/D and D/A converter for virtually any digital recording/mixing environment
8 state-of-the-art, studio-grade IMP “Invisible” Mic Preamps
Phantom power on all microphone inputs
Audiophile 24-bit A/D and D/A converters for ultimate signal integrity
Processes 44.1 and 48 kHz sample rates
External sample rate synchronization via wordclock or ADAT input
Optical ADAT in/out interface for ultimate compatibility
All mic/line inputs are routed to the ADAT output
ADAT input can be routed to all Line outputs


Evaluating AD/DA loops by means of Audio Diffmaker

...clocked by Lynx Aurora8 (cylens) Corr Depth: 24,4 dB (L), 25,9 dB (R) Difference: -44.0 dBFS (L) -44.9 dBFS (R) Behringer ADA8000 clocked by RME Fireface UFX (Krisprolls on Pragmatic Audio) minimum gain : 13,4 dB (L), 13,4 dB (R)..Corr Depth: 24,4 dB (L), 25,9 dB (R) Diff. -44,0 dBFS (L) , -45,3 dBFS (R) gain @...

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Behringer RD-909 Rhythm Designer

...PC's and drivers is not a trivial exercise and "crackling" is a typical indication for an inadequate setup. With the ADA8000, which someone mentioned here, we indeed encountered problems related to the power supply and in particular unreliable Alesis/Wavefront ADAT chips. The new version ADA8200 has all these issues resolved by replacing these chips...

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Audio Interface Final Battle

Who said that? Each cap type has an appropriate application. You have to pick the right type for the best results. Point? That's not my experience. You? I would't compare cost, but rather design. Yes they matter too, but again, pick the right ones. Are you trying to say interface designers choose the...

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