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Yamaha NS10m Studio monitors and Amplifier thread
Old 16th April 2021
  #691
I picked up the CLA-200 amp for my original NS-10's yesterday. It actually sounds really good. Not quite as bright and powerful as a 4B but a very good sounding amp IMO. It def gets the job done in my room. NS10's are my 3rd set of speakers so I don't spend a ton of time on them like I used to do a few years ago. I'd recommend the amp for anyone who's looking to stay under $1k.
Old 24th May 2021
  #692
Lives for gear
 
Shaggy2039's Avatar
 
🎧 10 years
So, I might be getting a pair of NS-10's as my "small" speaker for my room. I have two Amphion amps: The 500 and 700. Right now I'm using the 700 with my Two 15's but I love the way the Two 15's sound with the 500 so I have no problem switching them off and using the NS-10 with 700.

Anybody here ever try NS-10's with the Amphion Amp 700?
Old 24th May 2021 | Show parent
  #693
Gear Nut
 
Thread is long! My experience - I picked up a pair of NS-10m’s and was driving them with a NAD 2155 (NAD 3020 as pre). They sounded harsh and shrill and delivered all of the horrifying forwardness in the upper mids of legend. I switched out the 2155 for a Yamaha AX592 - decoupled to run as a power amp only, so 2 x 100w monoblocks.

Night and day!!

The soundstage opened up and their 3D imaging is great. Feed your NS-10’s with lots of power people. Like a lot of Yamaha speakers they are very revealing of their chains.

I wonder how much bad press is a function of chains where people are used to hearing their speakers, as opposed to hearing what is behind them?

NS-10’s...true love at second sight : )
Old 25th May 2021 | Show parent
  #694
Tui
Gear Guru
 
Tui's Avatar
 
1 Review written
🎧 10 years
Quote:
Originally Posted by seby ➡️
Thread is long! My experience - I picked up a pair of NS-10m’s and was driving them with a NAD 2155 (NAD 3020 as pre). They sounded harsh and shrill and delivered all of the horrifying forwardness in the upper mids of legend. I switched out the 2155 for a Yamaha AX592 - decoupled to run as a power amp only, so 2 x 100w monoblocks.

Night and day!!

The soundstage opened up and their 3D imaging is great. Feed your NS-10’s with lots of power people. Like a lot of Yamaha speakers they are very revealing of their chains.

I wonder how much bad press is a function of chains where people are used to hearing their speakers, as opposed to hearing what is behind them?

NS-10’s...true love at second sight : )
Exactly. Drive NS10s - hopefully they are Yamaha NS-10M Studios - with a Yamaha amp and you'll have a great sound.

I've got two pairs now, powered by two different Yamaha amps, and I don't want anything else. You can add a sub to give it a touch of boom and bang, but you'll only need very, very little of it.
Old 25th May 2021 | Show parent
  #695
Gear Nut
 
Quote:
Originally Posted by Tui ➡️
Exactly. Drive NS10s - hopefully they are Yamaha NS-10M Studios - with a Yamaha amp and you'll have a great sound.

I've got two pairs now, powered by two different Yamaha amps, and I don't want anything else. You can add a sub to give it a touch of boom and bang, but you'll only need very, very little of it.
Ah they are not the Studios, they are the plain NS-10M - first run

But I do have a pair of NS-30T’s arriving on Friday! The excitement is real
Old 25th May 2021 | Show parent
  #696
Tui
Gear Guru
 
Tui's Avatar
 
1 Review written
🎧 10 years
Quote:
Originally Posted by seby ➡️
Ah they are not the Studios, they are the plain NS-10M - first run

But I do have a pair of NS-30T’s arriving on Friday! The excitement is real
Right! I know nothing about the NS-30Ts except for what I just read on the net... I wasn't aware of this model but, back, in the 80s, I had a pair of largish 3-way Yamaha hifi speakers with the most incredible wooden finish. The idiot that I was, I sold them... These days, they'd be worth their weight in gold.

You probably know of this site:

http://www.ns-10m.com/buying.html
Old 25th May 2021 | Show parent
  #697
Gear Nut
 
Quote:
Originally Posted by Tui ➡️
Right! I know nothing about the NS-30Ts except for what I just read on the net... I wasn't aware of this model but, back, in the 80s, I had a pair of largish 3-way Yamaha hifi speakers with the most incredible wooden finish. The idiot that I was, I sold them... These days, they'd be worth their weight in gold.

You probably know of this site:

http://www.ns-10m.com/buying.html
Ahhh! I wonder what they were? OOops : /

I shall start a thread about the NS-30T's if they are interesting enough to warrant it. They have a reputation in some circles as being the best 2-way speaker that Yamaha ever built. Well I am not sure about that but the curiosity is killing me!

^Thanks for the site, I did not know it
Old 25th May 2021 | Show parent
  #698
Tui
Gear Guru
 
Tui's Avatar
 
1 Review written
🎧 10 years
A bit of trivia:

"We were only interested in achieving the cleanest, most natural reproduction possible.
As it turned out, what we were trying to achieve was precisely what the audio production professionals were looking for."

http://pdf.muzyczny.pl/msp10st_interview.pdf

A scientific paper on the NS10M:

"The other very significant aspect of the performance of the NS10M is seen in the waterfall plot in Figure 3(36). No other loudspeaker shown in Figure 3 shows a shorter low-frequency decay time; indeed, such a rapid decay is usually only found in large, high quality, full-range monitor systems."

"What is also very significant is that many of the loudspeakers tested exhibit rather long low-frequency decay times (Figure 3) as a consequence of the use of both reflex enclosures and electronic protection filters. This has often been done in an attempt to get an extended low frequency performance at relatively high SPLs from small enclosures. Recent work carried out at the ISVR on the audibility of high- pass protection filtering has suggested that filters acting above 30Hz are perceived to audibly colour the sound. One consistent complaint from mastering engineers has been that from the less advanced studios, a common problem due to poor monitoring is a mis-balance in the relative mix of the bass guitar and bass drum that cannot be corrected by equalisation at a later stage. These mis-balances are almost certainly due to time-related response problems in the mixing environment at low frequencies."

https://dt7v1i9vyp3mf.cloudfront.net...ry/n/ns10m.pdf
Old 28th May 2021
  #699
Here for the gear
 
i'm using a mesa/boogie 50/50 to power up ns10

https://youtu.be/9Hf5hcmrZcM
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