HI and thanks Tony.
I am curious why all are on the LA2A, CL1B vibe for vocal tracking? Is it primarily because the LA2A et.al, retain the original vocal as much as possible? .. rather than say a 1176 or EL8, where its a little more vocal enhancement/coloration on top of compression/limiting?
Also, with LA2A and CL1B, would they be just as good for instruments such as Bass as well?
Also, with the LA2A and CL1B, if there is a very 'attack' oriented singer, would there ever be a stage where 'oops, s/he needs a 1176' due to their attack/peaks in the vocals rather than a smooth comp like the LA2A?
Finally, what are your opinions on the Retro 176? Is that another 1176 type or perhaps alittle more of 1176 with LA2A?

THanks,