Quote:
Originally Posted by
NathanEldred
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These days mostly just working on my own stuff which is alt rock (radiohead/verve/beck kind of thing). But until just recently I was doing whatever came through the door which could be Blues, gospel, folk rock, classic rock, alt rock or metal. If the appropriate player was on the track with the right bass, then it was a breeze to record and mix. Maybe just hire a great player on your next important session. He'll have a quality bass (or two or three) to pick from and will nail it with musical precision. That will get you further than anything IME, for the production and for your own experience.
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Yes, Nathan. Thanks.
Hiring, playing and recording with great players has all been part of my process - for years. I've tracked some killer session guys in many styles of music, etc.
...And I agree - the playing is the most important part. This is my biggest personal obstacle now. However, if I have a good signal chain - then I at least have a chance to get the sound right. When my playing doen't cut the mustard - I definitely hire people! No problem with that!
So, thank you for sharing your knowledge and experience!
I am currently seeking a very specific Max Martin, Taylor Swift, Kelly Clarkson - big fat pop, country pop ballad, super pop "big hit radio vibe" bass sound.
...This sounds like it's different from what you do (this is not to say your methods won't work for pop, as well!)
I'm looking for warm and round clarity in the lower mids, and a big fat clear sustain in the bottom.
I guess I've got to go work with Max Martin...heh
...I'm on the mission, man!...
Thanks, again! There's a good bit of potentially helpful data in the responses from you and Fletch!
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