Quote:
Originally Posted by
earlevel
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But let me ask—is this really what you need? Why are you highpassing and lowpassing the vocal? Just to focus the mids and not care about the highs and lows competing? Remember, the only significant frequency cutting will be where both the channel signal and the side chain signal are strong. If your goal is to avoid affecting the low end, for instance, the vocal probably has no low end, or if it does (plosives and such), those probably should be filtered anyway, and use post-fader send mode.
Sure, a high and low cut on MixSense would have some usefulness. There's a point in any product where the feature list has to stop, that feature is not in it.
Huh? Even one of the first such plugs, Trackspacer, lets the user focus the processing range. Not sure why that would add bloat to an already deep plug?
And I'm not HP/LP'ing the vocal. But I would have to do so on a parallel channel to trigger a specific range in MixSense via sidechain, like the high mids, if that is where I want the processing to occur.
In the current implementation, MixSense is only useful for ducking elements with a kick drum via sidechain, for me.