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Old 20th August 2021
  #1
Gear Head
 
Sequential Take 5

Sequential Take 5-take-5-top-scaled.jpg


Info from Abtmusic & Dutch Synthforum:

https://www.synthforum.nl/threads/3808999/

https://www.abtmusic.eu/sequential-take-5-synth/



Take 5 specs :

OSCILLATORS

Two analog VCOs per voice
Continuously variable wave shape (sine, sawtooth, variable-width pulse) per oscillator
Hard sync: oscillator 1 syncs to oscillator 2
Square wave sub-octave generator (oscillator 1) per voice
Keyboard tracking on/off for each oscillator
Front-panel FM (frequency modulation)

MIXER

Oscillator 1 amount
Oscillator 1 sub-octave amount
Oscillator 2 amount
White noise amount

LOW-PASS FILTER

Four-pole, resonant, analog low-pass filter per voice, based on Prophet 5 Rev 4 design
Filter can be driven into self-oscillation with the Resonance control
Bi-polar filter envelope amount

ENVELOPES

Two 5-stage envelope generators (ADSR + delay) with variable routing (filter, amplifier, gate)
Velocity modulation of each envelope amount
Envelopes freely assignable to multiple modulation destinations

LOW FREQUENCY OSCILLATOR

Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)
Clock sync (internal or external MIDI clock)
Freely assignable to multiple modulation destinations

DIGITAL EFFECTS

One dedicated reverb with damping, pre-delay, decay and tone
One multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter
Dedicated Overdrive effect

VINTAGE KNOB

Recreates the characteristics of vintage synthesizers by introducing micro-fluctuations in oscillators, filter, and envelopes per voice.

AFTERTOUCH

Source: channel (mono) aftertouch with bi-polar amount
Aftertouch freely assignable to multiple modulation destinations

CLOCK

Master clock with tap tempo
BPM control and display
MIDI clock sync

ARPEGGIATOR

Up, down, up+down, random, assign modes
Syncs to MIDI clock
Re-latching arpeggiation

SEQUENCER

Polyphonic step sequencer with up to 64 steps with ties and rests

PERFORMANCE CONTROLS

Full-sized, semi-weighted, 3.5-octave premium Fatar keyboard with velocity and aftertouch
Spring-loaded pitch wheel with selectable range per program with independently adjustable upper and lower pitch wheel range transpose controls
Low-split mode creates two independent performance zones with different octave ranges
Hold switch latches held notes on
Polyphonic glide (portamento)
Unison (monophonic) mode with configurable voice count, from one to all five voices, and key modes
Factory switch: when off, the front panel is live; what you see is what you hear

PATCH MEMORY

128 user and 128 factory

IN/OUT

1 MIDI In, 1 MIDI Out, and 1 MIDI Thru port
USB port for bidirectional MIDI communication
1 Sustain/footswitch input
1 Expression pedal input
Main stereo output (2 x 1/4″ phone jack)
Headphone out (stereo 1/4″ phone jack)

POWER

IEC AC power inlet for internal power supply
Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 14 watts maximum power consumption

PHYSICAL SPECS

Premium, 3.5-octave, semi-weighted Fatar keyboard
25″ L x 12.75″ W x 4.4″ H (63.5 cm x 32.4 cm x 11.2 cm)
Weight: 17 lbs (7.7 kg)
Attached Thumbnails
Sequential Take 5-take-5-top-scaled.jpg   Sequential Take 5-take-5-low-angle-scaled.jpg   Sequential Take 5-take-5-rear-panel-standard-scaled.jpg