I don't think you understand what I'm saying, or what you're saying.

Mix musicality is the relationship between the musical instruments, frequency is one variable of that. You can figure that out in the worst of worst rooms. A mix can be exciting with frequency problems, that can be corrected. The contention here is, that if you try to make a mix perfect on every system - you will simply continuously end up reducing everything and lose excitement which is going to be more of a problem than mixing with **** speakers in a **** room with bumpy frequencies that someone is accustomed to - do you think that a boombox is without bumps?

What is it you are not figuring out here?

As expected, this is turning into a perceptual void blackhole loop


farewell