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Old 12th June 2007 | Show parent
 
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Like Tony, I've worked on projects where some of the final recording components originated from the artists so-called demos. It doesn't matter to me where the performances come from - there's no distinction these days between demo & master, anyway.

It can pose challenges sometimes, if the technical quality is not great, although that must always be secondary to the performance. One example I had was mixing a track for Paul Brady's album; "Spirits Colliding". The track had been built up from one of Pauls demo recording in ADAT. He has recorded the live acoustic rhythm guitar and vocal onto the same track!