Highway to Hell
I often find the world is divided with those who prefer H to H and those who prefer B in B!
They were recorded in different ways. I didn't actually record H to H - it was done in Roundhouse Studios which was very dead so there was no spill between the instruments. As a result when I came to mix it I needed to create the impression of the room and fed drums and guitars through speakers into Studio 2 at Basing Street.
I was quite pleased with the results but when I was asked to record B in B this led me to make sure I had plenty of controlled spill to help blend the instruments.
I'm not sure I would describe B in B as darker or H to H as warmer so I am not sure what you mean? I think h to H is perhaps lighter than B in B?
The two microphone thing came about because I wanted to spread the guitars more without pushing them too loud.
Thanks for the compliments!