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beyond the sm-58
Old 19th January 2003
Gear Maniac
๐ŸŽง 15 years
beyond the sm-58

I'm pretty sure we all know what a sm-58 sounds like, for both in sound reinforcement use and recording applications...

If you are a FOH guy for a band who is also moonlighting as the guy recording their live EP - you are probbably recording sm-58s on stage, basically you end up with them unless the singer has a personal preforance or possibly knows better to go out and find the best mic for his/her voice...

When you step beyond the 58 - what do you reach for? Do you look for a neodynium dynamic - or a condensor?

where do you turn to:

1) EV N/D (neodyniums)
2) AKG 535s?
3) Sennheiser's MD-431?
4) shure beta line?
5) sennheiser's evolution line?
6) shure's beta-87 condensor
7) or Neumann's kms-105?

what do you carry in your bag to swap out with the 58s when you are doing a remote?
Old 19th January 2003
Lives for gear
Steve Smith's Avatar
๐ŸŽง 15 years
Beta 58s
Old 22nd January 2003
One with big hooves
Jay Kahrs's Avatar
๐ŸŽง 15 years
Audix or EV mics. Ideally you'd fine the mic that sounds best on the singers voice and get a few of those for everyone to use.
Old 23rd January 2003
Lives for gear
wildplum's Avatar
๐ŸŽง 15 years
Neumann KMS 150
Old 7th February 2003
Here for the gear
๐ŸŽง 15 years
On a psychological note, if a singer uses a 58 virtually all the time, changing the mic can alter their comfort level & performance.

That said:

1 - I've never been comfortable with any mic from EV, anywhere on the stage,RE20 included. (Such heresy)!

2 - A good 535 is very good, but try to find 4 that match.

3 - 87's (A or C) are hard to make sound bad, and the quality is pretty consistent among all of them .

4 - On a desert island with live music, gimme a 58. The same desert island - with phantom power - gimme the KSM. It's capable of capturing every yawn & drool of a pope,and every nasal constriction (naturally occurring or otherwise) of Axl Rose.

Jim McKeveny
Bohemia, NY
๐Ÿ“ Reply

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