So far, it looks like Akais version of NI Maschine albeit running Akai's own controller and software
I am not giving up my MPC 5000 for this.
One of the great things about the 5000 is that it is completely self-reliant. It doesn't need a computer, with all of its myriad *ahem* problems that can arise in a live performance situation.
In the studio, sure, I don't mind having the 'mac ball' spin around while Ableton or Maschine tries to load a sound library (a perfect example of this is G-Force String Maschine-come back and reload a song and everyonce in a while, the library won't load. Why, who knows and I haven't time or inclination to figure it out....I am a musician first, system profiler, second (and wish I did not have to be) . anyway, Often, I have to shut down and restart Live and reload the Live Set and finally, it will load. At other time, out of the blue, *suddenly* Maschine, cannot find or load a sound file or Audio Unit or VST I was using last time I was running a set. Hmm, did I move something and forgot about it accidently? I then have to search/redirect Maschine to the folder in which the sound file resides. Is this partially my fault. Yes... Is it a deal breaker in my studio? NO. Is it a major annoyance, Yes. Is it something I want to see happen in my live set. I pray not. Would I trust this in a situation where I need stuff to load right here, right now, immediately, where time is money and my reputation on the line? HELL NO! Some guys trust their laptops and have better command over the file structure and where everything is on their computers. I am not one of them. I am also not one to trust a laptop live. Sorry, I am just not quite there yet. Well, maybe, if I Freeze and Flatten everything in Live, first....then just run audio tracks in a live situation as I bounce between two computers....
What does any of this have to do with the NEW MPC you ask? Well...EVERYTHING.
The MPC Hardware versions transfer from studio to live performance situaitons, very very well and when I save to mine, I always know that my stuff will be there, right where I left it, when I come back AND it will lreload, everytime in a live performance situtation. It just works.
Can I say this for NI Maschine that I own, or Ableton Live. NO. I don't trust them enough, yet.
The hardware MPC also integrates well into a studio DAW setup. With THE MPC 5000, I can load VST/AU plugs and softsynths in my DAW of choice till the mac can't handle anymore, then merely sequence them all off the MPC 5000 sequencer VIA MIDI. I can use plugs to sweeten the sound and tailor to perfection. If I want to play live, I simply have 8 (4 stereo) audio tracks in the MPC 5000 that I can record back into from the DAW tracks. This 'packages' the DAW audio, along with the MPC beats, patterns, songs, everything that I have programmed, into a nice nutshell and when live, I can leave the laptop at home. In essence, all audio (and sequences and patterns and songs), become a nice little package that stays within the MPC forever, regardless if my macbook won't load, can't find a library, can't find a softsynth, etc etc. In the MPC, It is there, and it loads, everytime, right where I left off. If I fill up the MPC hard drive with songs and audio, I just dump it all off onto my home computer drive for archival purposes or simply burn a CD ROM and merely start again. Its the MPC SIMPLICITY that works. Its the best of both worlds.
For some, this new MPC Rennaissance could be a God send in that they don't need a hardware MPC anymore, especially if they are working with one of the scaled down models of the 5000 and haven't the luxury of audio recording. For others, it is an alternative to NI Maschine. For most of us, it would be an addition to the MPC we already own, but most of us have already figured out how to integrate our MPC's into our setup so why do we need another one? That has me questioning the logic of the Akai marketing people. We live in a time when there is just too much stuff on offer and most of us aren't scratching the surface of the what the current crop of kit we have, can do. Instead, we Gearslut and want the latest and greatest toy.
Sad, but I am victim to this mentality as much as most of you are, too. Does it help us make better music? No...we get a new piece of kit and now have another learning curve ontop of the stuff we already have which keeps us learing how to use, rather than make music, ad finitum, if we allow it.
Having too many choices can often be a bad thing...Hmm do I write in Live today, do I integrate Machine into Live or run in standalone....or, do I write in the MPC...where do I start?
Do I want one of these ne Akais? HELL YES. DO I NEED ONE OF THESE. NO. Reality bites hard, once one realizes they don't need another MPC that mimics the way their current MPC works and integrates the same way their NI Mascine does (reliant on the computers OS to be working the same way, day after day cause often, we all know, it won't be).
THE older genrations of MPC runs their OWN OS and are built for speed and immediate, tactile usage.
THIS is why, I will not purchase the new Akai MPC Renaissance or fall for any of the NEW GENERATION OF MPC hype (right, next month, I will probably be first in line to buy one).
It is also why I am reluctant to continue to buy into the manufacturing mentality of late, which seems to want to gain sales buy building cheaper controllers that rely on the softwatre and OS of an external computer. Sure, it costs less, increases sales in a tough market and is enticing and indeed, a much easier price point to bear for those on more limited incomes, but I am a firm believer in the philosphy 'if it ain't broke, don't fix it'....and trust my old MPC's internal OS to work time and again, much more than I can any of my DAW's, save for NI Maschine, which does seem to work well, *er*, most of the time.
But what if you don't yet own an MPC and have never used its style of sequencing?
NOW THAT IS ANOTHER STORY.
If I didn't have an MPC already, I would more than likely be all over this new MPC.
The problem lies in 'planned obsolesence'. What is it gonna be worth to us 10 years down the road when we are on Mac OS 20.2. Will Akai keep pace and continously upgrade the firmware in the Rennaissance controller to match the new OS? If not, we end up with a paperweight made to run on a 10 year old machine. MY MPC 2000xl, well, it still works to this day and I can still use it in my studio. I certainly cannot use my 1991 PC running Windows 98, with my Seasound Solo PCI audio card, now can I? You get my point.
BUT....having the luxury of owning an MPC 5000, I wouldn't take the risk with this new product, until at least the test results from the peanut gallery of guinea pigs that Akai calls its 'customer base' comes back from forums just like this. I know with the 5000 it took Akai almost two years to gets its OS right, with myriad bitch, complaints and moans, but when they did, it worked absolutely great.
With this Akai MPC Rennaisance product, its a wait and see....The jury is still out on how it will fare.....and I hope for the sake of Akai's reputation and those that will depend on it both live and the studio, it doesn't turn out to be just another limited shelf life, cheaply built consumable, meant to be thrown away in two years for the latest and greatest release of whatever knew cheap toy comes along..you know that path that all the under 500 Virtual analog synths out there (Miniak, R3, MicroKorg, M-audio Venom, all the Roland MC groove products .etc etc) have gone....Its novelty stuff, not musical instruments, in a way and It isn't fair to we musicians. I don't like the musical instrument industry following suit to what the auto industry has done in the last two decades.
Advertise it, make it flavor of the month, sell a million copies, never support upgrades, users beat the hell out of them, throw it away, make a new one, repeat process