Quote:
Originally Posted by
Eklo
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Yeah no doubt about whatever gets you there, I was just curious as to using it in a mastering context.
I agree about Bronze, aggressive is the right word, very very good sounding and aggressive can be what you want but for me, mixing individual tracks and busses Tokyo just seems to melt into the audio, sounds effortless.
I've been resting my ear a few weeks as it's had this pressurised feeling which is starting to wane so I've only been able to test it on single sources and not for too long, excited to get a whole mix together with it, I think it will bring it!!
For me when i master, i find it usefull sometimes. Just by having it on it opens up a bit, and trimming it does feel like there is some bit of glue going on.
And a little smileyface on top of that.
So for that reason, if the song is on the dull side i usually start there, and then start twisting knobs.
But this thing has a little smiley on it regardsless of the pre is on or not. U just get a little more of it, depending how u trim it.
Bronze is really good i agree on that. Me, im feeling sometimes it gets in the way of the sound, for my taste.
And the melting, i agree there. Its just like its not there, just made everything better without really effort, i would call it effortless.
This thing got me to go back to Henry Olongas Air. Start wishing someone would make an aqua of that one! :P
Also extremely effortless. (high end only).
I think that u are right.. This makes me want to go back and remix my bands song entirely! haha..