Quote:
Originally Posted by
greggybud
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I would have guessed 98% don't use even 5%. Reaktor alone...ever since the beginning has been a beast.
Unfortunately I don't see or perceive NI as that cutting edge forward-thinking developer any longer. I believe they peaked about 10 years ago with Kore. They are still using part of Kore technology today, but it's dumbed down...for example the Maschine browser and even more dumbed down in the Kontrol browser.
You still can't use 3rd party VST's in Kontrol correct? It's still a closed and most likely very profitable venture correct?
NI dumped Kore for Maschine, and today I'm guessing they are remarkably successful with a much larger user base than in the Kore days.
So I have to ask myself if these "odd gems" NI flaunts each year will really help me with my goal which is decent sounding tracks. How much time can I invest learning a new NI tool? Will it pan out or just be a phase where it's quickly forgotten? For me Kore took an incredible amount of time to really master...and then realize its few shortcomings.
But you are right, you have to admire a company who now has such a large user base to continue to buy into their marketing model hook line and sinker.
A fellow Skeptik. Get enough of us together and maybe prices will come down. For stuff we don't need. That won't even run on our system. On Kontrollers that no longer work.
You obviously read all my post and digested it pretty good. I'm late to the party and have no vested interest. I think I might have gone a bit overboard buying a second hand Kore controller and the software too. Cost me more than I care to admit. If I just get it working with Alchemy and the 8 knobs, I'll be happy. I'm in this for fun too. It was never anything more than a 'what would this be like' type of proposition for me. If it works well, I'll be over the moon, if not, I'll eat it.
I'm probably even going to upgrade to the next version of Komplete. I know, I'm a mug. If there's a seeker born every minute, well it takes one to know one, and I'm an even bigger one to admit it.
I found their installer not too bad, so I'm hoping I can just chuck Kontakt 5 on there, if only for the sample libs that won't work with 4.
But none of it is needed. Not even the "odd gems". Anyone today could make perfectly good international no.1 best sellers without a single NI product. And they could do all that without paying a penny. Maybe shelling out for a decent DAW might help. But synths/drums/fx? Nah.
We're just aficionados.
I think the thing they do with the browser fingerprinting got to me. Also, as a student of marketing (unintentional) they really do take it to the limit.
Reaktor is fun. Kontakt is great. But even if I wanted to share my super duper new instrument bank with you, I'd have to pay them for the privilege, then you would have to pay them for the privilege too. Win/win. For them. They have a stranglehold/monopoly on the market now. I judge them by their actions. All I see is lots of incompatible sample libs and devs saying sorry we can't afford the license - NI are squeezing us.
They are a corporate company, and I just think they need to be kept in check a little bit coz they have far too many people fooled. For products they don't even want. And for products they don't even need. Radio silence from them. It matters not. They have it all figured out.
Others will chip in 'but'... It's ok. Far more people say 'Man, I never use 89 percent of this shit, but it's sure good to have'. It's called leverage.
Then again, I do love Reaktor. I'm like a kid with a new toy. I love that 0 latency reverb with the original name. I love that Kompressor too.
Maybe at some point they will show some genuine good will and give something, just a little something to their customers, in a gesture of good will. I don't need it or want it. But you know, just something to show that they haven't measured all this to within a tolerance of .5 nanometres.
You know the game is over when they are selling 'producer' packs of the 'latest hip beats' for 50 percent off. It's insulting for them and is insulting towards us. Except, like I said, you have a captive audience, hook, line and sinker, invested in their 'game'.
They got another 5 years of this, then it will be game over. This is just the beginning of the end. The sample makers aren't really making any money, and in 5 years everyone everywhere will have all the samples they need, no matter how much they are convinced otherwise.
That reminds me, I need to use up my 22 bucks voucher to buy some more Roland Drum Machine samples. The voucher I can't use anywhere else. They were so cheap that they couldn't even let me use it on a plugin that I could get free with my next upgrade of Komplete. I understand the limitations on a lot of these deals, don't get me wrong.
Man, I just want to jump off this whole thing and crack on with making music. This buying of software plugins and samples should be fun, but I feel like I need the wits of a stockbroker just to break even with NI.
I'm not unhappy overall though. Great instruments. I say all this from a perspective of someone that expects nothing from nobody. And if it all ends tomorrow, then I'm more than happy with what I got so far.
But then again, maybe it needs to be this way to provide such a high quality and broad range of instruments/samples/fx for the masses. And maybe I don't know what I'm talking about. I'm quite happy to accept that as well. I'm sure they know more than me. There's no hard feelings.