Quote:
Originally Posted by
GBP
➡️
MTM does now have an offline installer within their site, as that is what I use for one of my computers. I think they may have recently added this....
It is quite a simple process to de-select the smallish range of plugs that they have, not really a problem if you are used to installing demos etc.
Melda is pretty easy to use and will install what you had before if you are updating and then you can add or subtract what ever plugs you want. It can check and delete the old ones as well.... Use it all the time as Melda is always updating their plugs or adding free ones to their bundles.
Enjoy your 2 plugs, am glad you found out about the deal !
I found the offline installer. It was hidden in the FAQ section. Thanks for the tip.
I know, we need internet to activate anyway. That's a different matter. More companies should use the approach Tokyo Dawn and Melda take, using license files (though I am not sure Melda activation actually works offline, considering the dire warnings about not sharing your license file.)
Re: pre-selection of all plugins in the installer - I prefer the Plugin Alliance approach of not having anything selected in the installer and you choose what you want.
I'm sure I'll forget all about this once I start using Levels more. Put it on a track I've been working on this week and like it so far. Compared it to my Hornet loudness meter. Levels measures LUFS and peak slightly differently but not too far off. I really like the stereo meter and the dynamic range meter. The latter was one I was most interested in. I know my mixes are usually quite dynamic but being able to see just how dynamic they are is nice. I have on occasion overcompressed and this will help when my ears are tired and I'm more inclined to push the compression, or chase a specific LUFS value to the detriment of dynamic range.
Thanks to the manual I'm also understanding why some of my music has high dynamic range (e.g., current track measuring for the most part between 12 and 13) but low loudness range (much of the track is around 4, and the peak of the track hits 1 before it's over - yet that peak has dynamic range still around 11 to 12.) I often write music that has a fairly consistent energy throughout, which means there's not going to be a lot of range between the quietest and loudest parts, even though every part is quite dynamic.
I should run some of my favourite music through Levels and see how it looks.
The tweakability of the thresholds to determine colours and warnings is great.
Melda: I liked that the installer recognised I had old versions of some free plugins (and maybe demos) and removed them for me. Makes it easy to keep things clean.